THE BLACK FLAME (NILE)
- Format:
- Impulse Tracker 2.14v5 IT 2.14
- Size:
- 2130691 bytes
- BPM:
- 220
- Speed:
- 6
- Channels:
- 20
- Song Length:
- 33
- Samples:
- 93
- Instruments:
- 15
- Patterns:
- 28
- Tracks:
- 1
- Track length:
- 560
- SHA1:
- 8b85e7861aed16ea3b894a28d70c287e3659db4a
- MD5:
- 9d962f4dcf5c4ffecf54256f419a69e9
Comment
THE BLACK FLAME ================= [3:04] As performed by NILE on their "Black Seeds Of Vengeance" album Transcribed, tabbed, sampled, tracked and sweated over by AxeSlash in association with >>>ARMAGON<<< *The metalscene's first and possibly only Nile cover :) (unless I feel insane enough to try another one...) Fucking hell. Is there a harder song to try and play on this planet? As you can see, I started off intending this to be a full-riffs song, which just became completely inpossible when I realised just how goddamned good Karl Sanders and Dallas Toller-Wade are at string crossing. Check out the tab that I included with this. It took me hours to figure it out, and then I just gave up trying to play it and decided on a sampleset. So I've achieved one of my tracking ambitions - to do a song that combines a sampleset with the full-riffs approach...although I guess that it is done a bit Betrayer-style coz' I sampled only the stuff that I needed (hence the very short non-looped rotors) and not an entire set. So don't ask for the"missing" samples, coz' there aren't any :) Well, after tracking this, I've just realised exactly HOW fast Nile are!!! I have never in my entire history of tracking used a blastbeat at the maximum tempo of 255 bpm - I thought it was too fast. There is a hell of a lot of this song at 255 bpm with Pete Hammoura pulling off blastbeats and fucking fast tom rolls, and keeping them tighter than whatever is the opposite of Amano's ass! How the fuck he does it, I do not know. I think he must be a fucking robot or something. There are some innacurracies or missing instruments because I was trying to keep the filesize down...and I think that it is impossible to track this song accurately anyway. It's far too fucking technical. I can see why nobody has ever tried to track Nile stuff before...it makes the stuff on my "Out Of The Duat" disk sound even worse than what it is. Ugh. Iwish I could write songs like the stuff on BSOV... The vocals disappear in places and aren't quite as good as my usual growls because I did them all in one go - and to growl that fast (in the brutal part) without running out of breath is sooooo goddamned hard :) I love the vocals at the beginning though, possibly my best so far, and at 11KHz, too!!! I threw them past Cool Edit's EQ and increased the really high end to almost unbearable levels, and then reduced to 11KHz and it came out well brutal as fuck. Expect more of that style of vox. Anyway, sampling this song was a bitch. I had to re-record the rotors 3 times because I left out notes that I needed (although there are still some missing that I thought I could get away with to reduce filesize), and it took me ages to get that rattle sound at the beginning right (it still ain't perfect) - I ended up rattling my fingernails on a grill pan from the kitchen and putting it thru the reverb and EQ on my Zoom 707, and then thru Cool Edit's EQ to get more high end and reduce the "gong"-like sound. Maybe I should have left it and used it as a gong roll :) Gonna have to try that again... All guitarz & vocalz by me Bass by Thunderhead Drums stolen from many places Gongs, low choir thing, metallic rattle, and kettle drums by me Other SFX stolen from some V. old ambient mods...dunno where from. Greetz: ======= AeuK (Egyptian, corpse-like song with a thick guitar sound for ya :) ) Warlord & Armagon guyz Kosm & Metallurky guyz Grave & Necrocannabis guyz Daoloth & RR guyz & galz Nyctophilia Labrat Taurus Later. AXESLASH axe@totaldeath.com http://axe.outputto.com ftp://194.236.28.166/AxeSlash/ LYRICS: ======= Explanation taken from the inlay booklet: "The Black Flame is from The Papyrus Of The Undying, unearthed by Maspero in 1883 and quickly disposed of by private auction. A translation of the text was later published in an article in the Cairo Archaeological Critiques May 1902 and in the book Textes et dessins magiques by G. Daressy (Cairo 1903) and reprinted by Lexa in volume 2 of his La Magie dans l'Egypte Antique (Paris 1925). The papyrus of the undying was generally dismissed as rambling, illogical, profoundly incoherent, perverse and profane to such an extent that it became regarded as a curio - a minor text of secondary importance that originated from a small, uninfluential serpent cult. The papyrus is believed to date to the end of the fifth dynasty, about 2350 BC, and appears to be the work of the priests of the Cult of Seta. It deals with matters of the underworld, afterlife, and magical regenerative formula, as well as several blasphemous chapters devoted to the destruction of the sun god Ra. The historical value of such questionable material was, at that time, nou doubt considered of lesser importance than other more popular works such as Budge's new translations of The Book Of The Dead. For this reason, the radical and unpopular Papyrus of the Undying fell to dismal obscurity. The text did not reappear again until 1912 when it was purchased by Rollo Ahmed, a native egyptian cult expert and author of of several books around the turn of the century. Mr Ahmed did much further research into the papyrus and circulated several new translations of the text. However, because of his reputation among legitimate scientists as an occult practitioner, largely from his early years soent studying the dark arts at first hand in Africa, South America, and Asia, his views and interpretations of the Papyrus were dismissed as unsubstantiated, and never fully accepted among the mainstream of the academic community of his time. The original of the manuscript was quickly acquired by the museum of Cairo and put on private display until 1939 when famed Nazi occultist Otto Van Anza took it to Germany. Presumed lost during the fall of Berlin in 1945, it was recently rediscovered in the burnt out remains of a bunker underneath a construction site in east Berlin in 1998. The papyrus has been partially restored and is now on private display in the Berlin Museum OF Aegyptologie. The lyrics of the Black Flame are taken line by line from chapter 36 "The chapter for being reborn". It mentions Baboui, the dog-faced ape, guardian of the lake of flames, who feeds upon the overturned bodies of the enemies of Osiris--rending, raping and devouring the souls of the damned. Baboui also holds the power to open the gates of the Duat, or underworld. The chapter seems to be a magickal formula for escaping fiery chained imprisonment in the underworld. It bears a strong resemblance to Spell 316 of the Pyramid Text Of Unas, but seems to have several distinct variations, probably relative to it's use by the priests of the Cult of Seta." BTW: Seta is also known as Set, Satha, and possibly Anhur, but NOT Apophis (aka Apep)...apparently Set and Apep are supposed to be enemies, so this translation may be innacurate because it calls upon help from both of these gods. Withdraw thy phallus, Baboui Open the gates of the Duat For I am burning in Aataakhu Chains bind me *I left this line out to save filesize... Flames encircle me And burn my flesh. Open *as above For me the gates shall open Over the fire of the spirit The breath drawn by the gods Arise Apophis return That I might return Born by the flame Drawn by the gods who clear the way That I might pass The gods which sprang from the drops of blood Which dripped from The pahllus of Set That I might be reborn For I am Khetti Satha Shemsu Seneh Nekai And will become Set of a million years Akhu Amenti Hekau I shed my burnt skin And am renewed PS: Go buy Black Seeds Of Vengeance NOW!!! If you like DM or anything atmospheric or brutal, you'lllove it. Truly unique stuff.
Instances
Source | Name | Folder |
---|---|---|
Modland | the black flame (nile).it | Impulsetracker/AxeSlash/ |
Links
Samples
# | Name | Used in | Size | ||
---|---|---|---|---|---|
1. | ~CTW3117.TMP | 23328 | ▶️ | ||
2. | ~CTW274C.TMP | 27027 | ▶️ | ||
3. | ~CTW1B11.TMP | 18690 | ▶️ | ||
4. | ~CTW263C.TMP | 15457 | ▶️ | ||
5. | ~CTW1923.TMP | 15860 | ▶️ | ||
6. | ~CTW2103.TMP | 13100 | ▶️ | ||
7. | ~CTW344C.TMP | 15780 | ▶️ | ||
8. | ~CTW0A3D.TMP | 18816 | ▶️ | ||
9. | ~CTW1209.TMP | 15132 | ▶️ | ||
10. | ~CTW2B43.TMP | 15079 | ▶️ | ||
11. | ~CTW1B32.TMP | 21240 | ▶️ | ||
12. | ~CTW0F4A.TMP | 14080 | ▶️ | ||
13. | ~CTW185C.TMP | 11074 | ▶️ | ||
14. | ~CTW2777.TMP | 11752 | ▶️ | ||
15. | ~CTW0017.TMP | 10626 | ▶️ | ||
16. | ~CTW1638.TMP | 11400 | ▶️ | ||
17. | ~CTW0D4E.TMP | 11666 | ▶️ | ||
18. | ~CTW161F.TMP | 12980 | ▶️ | ||
19. | ~CTW1D26.TMP | 13448 | ▶️ | ||
20. | ~CTW0B1F.TMP | 12120 | ▶️ | ||
21. | ~CTW3520.TMP | 9184 | ▶️ | ||
22. | ~CTW1952.TMP | 11742 | ▶️ | ||
23. | ~CTW0241.TMP | 10956 | ▶️ | ||
24. | ~CTW340D.TMP | 10486 | ▶️ | ||
25. | ~CTW3151.TMP | 13756 | ▶️ | ||
26. | ~CTW1919.TMP | 11776 | ▶️ | ||
27. | ~CTW0734.TMP | 10692 | ▶️ | ||
28. | ~CTW0F0E.TMP | 11352 | ▶️ | ||
29. | ~CTW1B22.TMP | 9996 | ▶️ | ||
30. | ~CTW212D.TMP | 52700 | ▶️ | ||
31. | ~CTW2C0E.TMP | 10192 | ▶️ | ||
32. | ~CTW190C.TMP | 31977 | ▶️ | ||
33. | ~CTW2161.TMP | 44550 | ▶️ | ||
34. | ~CTW2875.TMP | 42796 | ▶️ | ||
35. | ~CTW1A69.TMP | 13468 | ▶️ | ||
36. | ~CTW2C7A.TMP | 14750 | ▶️ | ||
37. | ~CTW1365.TMP | 20976 | ▶️ | ||
38. | ~CTW1A2F.TMP | 10488 | ▶️ | ||
39. | ~CTW016C.TMP | 18496 | ▶️ | ||
40. | ~CTW2849.TMP | 13110 | ▶️ | ||
41. | ~CTW394B.TMP | 12468 | ▶️ | ||
42. | ~CTW0B18.TMP | 12121 | ▶️ | ||
43. | ~CTW131D.TMP | 9880 | ▶️ | ||
44. | ~CTW1B04.TMP | 18354 | ▶️ | ||
45. | ~CTW1060.TMP | 11160 | ▶️ | ||
46. | ~CTW2904.TMP | 13317 | ▶️ | ||
47. | ~CTW3301.TMP | 18354 | ▶️ | ||
48. | ~CTW207A.TMP | 15732 | ▶️ | ||
49. | ~CTW272A.TMP | 11799 | ▶️ | ||
50. | ~CTW3504.TMP | 13570 | ▶️ | ||
51. | ~CTW051F.TMP | 9300 | ▶️ | ||
52. | ~CTW111A.TMP | 14394 | ▶️ | ||
53. | ~CTW2B3F.TMP | 12912 | ▶️ | ||
54. | ~CTW336B.TMP | 10488 | ▶️ | ||
55. | ~CTW0D6D.TMP | 10488 | ▶️ | ||
56. | ~CTW120F.TMP | 15732 | ▶️ | ||
57. | ~CTW1927.TMP | 13110 | ▶️ | ||
58. | ~CTW1F6C.TMP | 15732 | ▶️ | ||
59. | ~CTW1075.TMP | 300000 | ▶️ | ||
60. | ~CTW1132.TMP | 110000 | ▶️ | ||
61. | ~CTW1138.TMP | 285536 | ▶️ | ||
62. | ~CTW031A.TMP | 110002 | ▶️ | ||
63. | ~CTW2365.TMP | 18354 | ▶️ | ||
64. | ~CTW283C.TMP | 15732 | ▶️ | ||
65. | ~CTW2B7E.TMP | 13110 | ▶️ | ||
66. | ~CTW3115.TMP | 15732 | ▶️ | ||
67. | A2281.WAV | 50000 | ▶️ | 57%:
Bum
|
|
68. | Weird thingy | 649 other modules | 9900 | ▶️ | |
69. | RECORD5.WAV | 51111 | ▶️ | ||
70. | ClickKick (32) | 1 other modules | 9000 | ▶️ | |
71. | Snare Drum (35) | 23 other modules | 23013 | ▶️ | |
72. | HiHat (40) | 29 other modules | 21145 | ▶️ | |
73. | Ride Cymbal (24) | 158 other modules | 16878 | ▶️ | |
74. | Crash Cymbal 1 (32) | 1 other modules | 18000 | ▶️ | |
75. | Crash Cymbal 2 (54) | 1 other modules | 20000 | ▶️ | 53%:
SSSSSSSS
|
76. | Crash Cymbal 3 (10) | 64 other modules | 29984 | ▶️ | |
77. | Crash Cymbal 4 (10) | 115 other modules | 35993 | ▶️ | |
78. | Chinese Cymbal (54) | 24 other modules | 16475 | ▶️ | |
79. | tom 3 | 19 other modules | 49903 | ▶️ | |
80. | tom 4 | 23 other modules | 48979 | ▶️ | |
81. | tom 5 | 24 other modules | 52131 | ▶️ | |
82. | tom 6 | 22 other modules | 52148 | ▶️ | |
83. | GONG4.WAV | 84810 | ▶️ | 72%:
ank,ail and
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|
84. | Timpani 2 | 1 other modules | 7012 | ▶️ | |
85. | GONG4.WAV | 84810 | ▶️ | 69%:
Thanks for watching!
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|
86. | WITHDRAW.WAV | 77828 | ▶️ | 95%:
with George
|
|
87. | OOENTHEG.WAV | 63492 | ▶️ | 100%:
OH?ocaitz! Oh shit goood
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88. | FORIAM.WAV | 85999 | ▶️ | 98%:
Ah, I am... The G-G-G-G-Sto-o-o-o-o-o-o-o-o!
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|
89. | FLAMESEN.WAV | 87001 | ▶️ | 66%:
Shh!
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90. | VOX1.WAV | 322158 | ▶️ | 97%:
Oh, we can't get show your boy! Only for his first, you'll melt upon your ghost! Oh, nice! Post it to your toy, over to the public! You'll melt upon your ghost! You'll get to where your toy boy first! Ghost! He's no clown! Don't talk, don't talk! Don't tell him, don't tell him! He's a toy! You're a kitty boy! Oh, I can't just talk, don't tell him! He's a real yoke! Only the comes second, will you? Yes!
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|
91. | 11.WAV | 140143 | ▶️ | 78%:
Oh, oh, oh, oh, oh, oh, oh, oh, oh! Don't shoot, don't touch the camera! Yaaaaaaaaaaaah!
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|
92. | Swoosh | 186 other modules | 30080 | ▶️ | |
93. | ThunderHead's Bass | 39 other modules | 65805 | ▶️ |
Instruments
- Guitar 1 (left)
- Guitar 1 riffs
- Guitar 2 (right)
- Guitar 2 riffs
- Bass
- Bass w/decay
- Drum Kit
- Gong
- Reverse Gong
- Kettle Drum 1
- Choiry thing
- Vocals
- Weird thingy
- Metallic Thing
- Woosh