Score | Name |
99% | No name | ▶️ |
99% | sequence in yo r mind. | ▶️ |
99% | harmonies.) | ▶️ |
99% | which probably was a | ▶️ |
99% | No name | ▶️ |
99% | www.geocities.com/ | ▶️ |
99% | 1995 AD. | ▶️ |
99% | \\\\\\\\\\\\\\\\\\\\\ | ▶️ |
99% | kitsune@tartarus.uwa. | ▶️ |
99% | . boCop, Amable, N- . | ▶️ |
99% | to put in tracker,and | ▶️ |
99% | 1995 - AN MY 1ST ONE | ▶️ |
99% | by : solid vibrator . | ▶️ |
99% | solmaj# | ▶️ |
99% | . | ▶️ |
99% | [ k r a f t w e r k !] | ▶️ |
99% | SawSynth.Major2 | ▶️ |
99% | asdfas | ▶️ |
99% | CLEANSYNTH3 | ▶️ |
99% | -Celebration '94- | ▶️ |
99% | jochord.maj2 | ▶️ |
99% | Tbob and Sim. | ▶️ |
99% | * forward ever * . | ▶️ |
99% | (*) BY (*) | ▶️ |
99% | Sunth3 Rip | ▶️ |
99% | this tune.can't realy. | ▶️ |
99% | SOL#MAYOR | ▶️ |
99% | jogeir liljedahl, | ▶️ |
99% | By Counterpoint/WT | ▶️ |
99% | mike oldfield | ▶️ |
99% | interphace/andromeda | ▶️ |
99% | Dimension... | ▶️ |
99% | STRING3.SPL | ▶️ |
99% | no boardz add anythng | ▶️ |
99% | Channels - 6 | ▶️ |
99% | jogeir liljedahl | ▶️ |
99% | b4 | ▶️ |
99% | s5 | ▶️ |
99% | IN JUNE 1995 . | ▶️ |
99% | ST-21:gslinger-chord3 | ▶️ |
99% | #(c) Jan 16/93 - | ▶️ |
99% | gathering'91 music | ▶️ |
99% | :) | ▶️ |
99% | Kostprobe will, kann | ▶️ |
99% | major first last | ▶️ |
99% | thanx to mystra/sta . | ▶️ |
99% | Bass. I think we | ▶️ |
99% | tune like i did in my | ▶️ |
99% | S FROM | ▶️ |
99% | i love this tune - | ▶️ |
99% | CARNERA! I SPENT THE | ▶️ |
99% | samples by buzzer, | ▶️ |
99% | chord3 | ▶️ |
99% | you could be | ▶️ |
99% | feiring :-) /el loco) | ▶️ |
99% | Contact: | ▶️ |
99% | .....F....(:.] .N..... | ▶️ |
99% | girl i know who can | ▶️ |
99% | duration: 02:41 min... | ▶️ |
99% | phriends... life is | ▶️ |
99% | major2.smp | ▶️ |
99% | GSLINGER2a | ▶️ |
99% | 96.11.12 | ▶️ |
99% | DO RE# SOL# / jogeir | ▶️ |
99% | as you are?& why am i | ▶️ |
99% | IF YOU WANT | ▶️ |
99% | synth:BLUE-MAJ2 | ▶️ |
99% | Tbob , Sim , Delph. | ▶️ |
99% | major3.smp | ▶️ |
99% | synth 2 | ▶️ |
99% | dragst@pcuf.fi | ▶️ |
99% | ST-01:sawsynth.major2 | ▶️ |
99% | especially made for . | ▶️ |
99% | mail: Myrabakken 24 | ▶️ |
99% | ,facet,astr0,groo,axm | ▶️ |
99% | call_now:*(69)684-241 | ▶️ |
99% | AZZRAEL | ▶️ |
99% | of these samples! | ▶️ |
99% | pihlajatie 8 | ▶️ |
99% | Call -=*GENFAB*=- | ▶️ |
99% | d- 48527 nordhorn | ▶️ |
99% | =< $/\f@ pr0j3ct >= . | ▶️ |
99% | ...................... | ▶️ |
99% | pc-friendly modified | ▶️ |
99% | STRING3 | ▶️ |
99% | Artjohn/CryOgen | ▶️ |
99% | game. its our first | ▶️ |
99% | Synth.WeirdMajorLoop | ▶️ |
99% | -jason/lemon. | ▶️ |
99% | KEYBOARDS(PF) 02 | ▶️ |
99% | contact:marek hron, | ▶️ |
99% | sawsynth.major2 | ▶️ |
99% | > poland < | ▶️ |
99% | o como hacer el | ▶️ |
99% | used in oepir risti | ▶️ |
99% | I started with this | ▶️ |
99% | Strings | ▶️ |
99% | gfx by #geist# | ▶️ |
99% | finished 24.04.95 | ▶️ |
99% | MC_Ksg | ▶️ |
99% | in 1994 using the real | ▶️ |
99% | - Compo (4-Channels) - | ▶️ |
99% | - Channel music compo- | ▶️ |
99% | No name | ▶️ |
99% | No name | ▶️ |
97% | CMJC1.SPL | ▶️ |
97% | __the tune is edited | ▶️ |
97% | "decibel overload!" | ▶️ |
96% | G FLAT MAJOR CHORD | ▶️ |
96% | brass2.g#m | ▶️ |
96% | The Brainwasher from | ▶️ |
96% | ACCORD 1C | ▶️ |
96% | No name | ▶️ |
96% | No name | ▶️ |
96% | No name | ▶️ |
96% | In the dentro called | ▶️ |
96% | acc3 | ▶️ |
96% | in march 94 | ▶️ |
96% | No name | ▶️ |
96% | No name | ▶️ |
96% | ST-28:scrd.maj2.b_m | ▶️ |
96% | ...original version... | ▶️ |
96% | No name | ▶️ |
96% | SawSynth.Major2 | ▶️ |
96% | of this mods please | ▶️ |
96% | Maj (1-2#-5#) | ▶️ |
96% | by Liam the lemming | ▶️ |
96% | Gathering 91 music | ▶️ |
96% | in live real fast | ▶️ |
96% | Strings: Major2 | ▶️ |
96% | . Guess . | ▶️ |
96% | BrassChord.G#Major | ▶️ |
96% | original theme compo- | ▶️ |
96% | 1998 2nd compo | ▶️ |
96% | (XMAS) | ▶️ |
96% | I think I'll dream my life | ▶️ |
96% | [fuck-ya party 2.] | ▶️ |
96% | BChord4 | ▶️ |
96% | I'm not one with a sense of | ▶️ |
96% | BrassChord.G#Major -unk | ▶️ |
96% | Chord 3 (N) | ▶️ |
96% | G Maj, Beyond Music | ▶️ |
96% | Rexazy | ▶️ |
96% | G# Major TeW | ▶️ |
96% | G# Major You have | ▶️ |
96% | G# Major them to get my | ▶️ |
96% | Harmony Synth 6 | ▶️ |
96% | 3smp~1.wav | ▶️ |
96% | TerChord | ▶️ |
96% | Sy-2maj | ▶️ |
96% | from dizzy/cncd | ▶️ |
96% | # by Weed / Coral with | ▶️ |
96% | gathering'91 music | ▶️ |
96% | this is crappy and rushed | ▶️ |
96% | ~-_-by Liam the lemming-_-~ | ▶️ |
96% | Clawz (The Strings) , | ▶️ |
96% | in the background. And she | ▶️ |
96% | INTROSPECTION II | ▶️ |
96% | not entirely resigned | ▶️ |
96% | Argentina | ▶️ |
96% | module - it was written as | ▶️ |
96% | the HND2 crew, the ex-HND | ▶️ |
96% | Sawsynth Maj (1-2#-5#) | ▶️ |
96% | ---------------------- | ▶️ |
96% | major chord g# | ▶️ |
96% | SaWsYnTh? | ▶️ |
96% | aren't I? | ▶️ |
96% | Petter K.rnemark | ▶️ |
96% | SYNTH1.SAM | ▶️ |
96% | sAw SyNtH | ▶️ |
96% | majsyn2 | ▶️ |
96% | This MusicPop & Go-Go | ▶️ |
96% | new musician: bacalao. | ▶️ |
96% | major.chord.2 | ▶️ |
96% | some samples by lk. | ▶️ |
96% | Soft Sax by Jucciz | ▶️ |
96% | major.chord/2 | ▶️ |
96% | bit... well, I tried | ▶️ |
96% | Well, what's a song without | ▶️ |
96% | Unfortunately, I lost all | ▶️ |
96% | No booze. | ▶️ |
96% | probably confuse people. | ▶️ |
96% | Introduction to the | ▶️ |
96% | Narayan Taniwa | ▶️ |
96% | Duration: 6:38 min. | ▶️ |
96% | The Space Program | ▶️ |
96% | chord.2 (oldskool rox) | ▶️ |
96% | dedicated to virgill | ▶️ |
96% | d- 48527 nordhorn | ▶️ |
96% | 29th to be exact... | ▶️ |
96% | really. And if there is, | ▶️ |
96% | ST-1B:sawsynth.d3 | ▶️ |
96% | in the background. And | ▶️ |
96% | G# Major from Beyond Music | ▶️ |
96% | in 3-1997 | ▶️ |
96% | Ah, the nostalgia. The | ▶️ |
96% | BrassChord.G#Major (rip) | ▶️ |
96% | THE FIRST JUNGLE SONG | ▶️ |
96% | waiting for inspiration and | ▶️ |
96% | tunes before I ran out of | ▶️ |
96% | chord3 | ▶️ |
96% | syn_major_2 | ▶️ |
96% | Synthi2 | ▶️ |
96% | Held in Hamar, | ▶️ |
96% | . old SaWsYnTh . | ▶️ |
96% | of | ▶️ |
96% | while demo musicians bask | ▶️ |
96% | 2120 Dunakeszi | ▶️ |
96% | <-----------> | ▶️ |
96% | BrassChord.G#Minor (Skave | ▶️ |
96% | there is hate, | ▶️ |
96% | Minds 1996. | ▶️ |
96% | some words that I can put | ▶️ |
96% | And then I got stuck.*sigh* | ▶️ |
96% | by Rhythm Greene | ▶️ |
96% | For the multi-channel compo | ▶️ |
96% | Saw.Major2.Captain[image] | ▶️ |
96% | M.Man musicians in | ▶️ |
96% | brasschord.major2 | ▶️ |
96% | of masakre, rodo & rdd... | ▶️ |
96% | Faltermeyer 3 | ▶️ |
96% | Writen and Composed | ▶️ |
96% | Synthesizer Major 2 | ▶️ |
96% | of course. :) | ▶️ |
96% | +358-0-351 1193, 24h! | ▶️ |
96% | by | ▶️ |
96% | Canciones compuestas por | ▶️ |
96% | EXCITING MONOPOLYGAME | ▶️ |
96% | /\/\/\/\/\/\/\/\/\/\/ | ▶️ |
96% | --------------------------- | ▶️ |
96% | ...Threatening Behaviour... | ▶️ |
96% | S yn s | ▶️ |
96% | the original title was, but | ▶️ |
96% | girl i know who can | ▶️ |
96% | Remotelife | ▶️ |
96% | jar| lah7@|n@n . | ▶️ |
96% | V1 1 | ▶️ |
96% | TexMex | ▶️ |
96% | "darker" version which it | ▶️ |
96% | G# Major dem ole | ▶️ |
96% | BrassChord | ▶️ |
96% | Chord C | ▶️ |
96% | email huezo@utanet.fi | ▶️ |
96% | Ch25b.smp | ▶️ |
96% | And dream away my heartache | ▶️ |
96% | > poland < | ▶️ |
96% | their dads (or moms) they | ▶️ |
96% | (DMP 2.x has got BUGS with | ▶️ |
96% | it, tell everyone. If | ▶️ |
96% | when that happens. | ▶️ |
96% | one was originally End Of | ▶️ |
96% | +------------------------+ | ▶️ |
96% | CH3 | ▶️ |
96% | BChord4 (Necros) | ▶️ |
96% | tune............ | ▶️ |
96% | ST-01:sawsynthmajor2 | ▶️ |
96% | Strings Major | ▶️ |
96% | by: Azo | ▶️ |
96% | at 1st of december 92 | ▶️ |
96% | G# Major - Bey... *yawn* | ▶️ |
96% | Saw Synth Major 2 | ▶️ |
96% | Remix by Wraith | ▶️ |
96% | by SMASH! For CRYSTAL | ▶️ |
96% | This is one of the few mods | ▶️ |
96% | ripped.basehead? | ▶️ |
96% | Captur02.iff | ▶️ |
96% | Brasschord.G#major NK | ▶️ |
96% | MARSHMALLOW MAN AND | ▶️ |
96% | almost a year ago. | ▶️ |
96% | Chord 5 | ▶️ |
96% | Effect | ▶️ |
96% | tune lenght: 3:45 | ▶️ |
96% | ____by Liam the lemming____ | ▶️ |
96% | Composed for the Assembly94 | ▶️ |
96% | BrassChord.G#Major RIP | ▶️ |
96% | Major.chord/2 | ▶️ |
96% | si quereis hablar de la | ▶️ |
96% | be reachable at... | ▶️ |
96% | per SMASH. | ▶️ |
96% | Andraz Rus | ▶️ |
96% | Song dedicated to all my | ▶️ |
96% | FocusWou2 | ▶️ |
96% | G# Major to the "Victims | ▶️ |
96% | ST-02:chord2 | ▶️ |
96% | had just sat lifeless on my | ▶️ |
96% | Kalevalankatu 19 | ▶️ |
96% | BrassChord.G#Major 11260 | ▶️ |
96% | My 1st official attempt | ▶️ |
96% | Brass (G#Major) | ▶️ |
96% | 3:42 min | ▶️ |
96% | String1.snd | ▶️ |
96% | SawSynth.Major.2 ?? | ▶️ |
96% | Chords.SawSynth.Maj.2 ?? | ▶️ |
96% | 92100 raahe | ▶️ |
96% | STRINGS.SAM | ▶️ |
96% | This tune is made for | ▶️ |
96% | No name | ▶️ |
96% | No name | ▶️ |
96% | No name | ▶️ |
96% | ST-02:chord2 | ▶️ |
96% | greetz to paranoimia, | ▶️ |
96% | No name | ▶️ |
96% | Andraz Rus | ▶️ |
94% | muzyczka napisana dla | ▶️ |
94% | (alias T.th Zolt.n) | ▶️ |
93% | disk. | ▶️ |
91% | No name | ▶️ |
88% | time now. (almost a | ▶️ |
80% | No name | ▶️ |
77% | No name | ▶️ |
75% | wierd. | ▶️ |
75% | No name | ▶️ |
75% | ## 01.03.1995_ad * | ▶️ |
74% | No name | ▶️ |
74% | ,facet,astr0,groo,axm. | ▶️ |
72% | No name | ▶️ |
72% | No name | ▶️ |
69% | No name | ▶️ |
68% | b2g#m | ▶️ |
65% | B2-g#maj | ▶️ |
63% | Synthesizer Minor 3 | ▶️ |
63% | No name | ▶️ |
61% | No name | ▶️ |
60% | ensoniq ts-10 and | ▶️ |
60% | No name | ▶️ |
60% | No name | ▶️ |
60% | a creation of: | ▶️ |
60% | 46005 valencia | ▶️ |
55% | Major2 | ▶️ |
55% | Synth.WeirdMajorLoop | ▶️ |
55% | jam@$ 0f d@c/\/|7@ . | ▶️ |
54% | No name | ▶️ |
54% | No name | ▶️ |
54% | No name | ▶️ |
54% | No name | ▶️ |
54% | No name | ▶️ |
50% | No name | ▶️ |
50% | michal szynol . | ▶️ |
50% | michal szynol . | ▶️ |
50% | dont care its that | ▶️ |
47% | later ialla fall inte | ▶️ |
47% | No name | ▶️ |
47% | later ialla fall inte | ▶️ |
47% | Synth.OddMajorLoop | ▶️ |
35% | Synthesizer Minor 2 | ▶️ |
30% | No name | ▶️ |
30% | No name | ▶️ |
25% | No name | ▶️ |
24% | No name | ▶️ |
19% | No name | ▶️ |