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                       Contrapunctus III: Fuga in c



         Fuga is to many the essence of polyphony. Various themes

        chase each other in different voices, accompanied by free

        counterpoint used to interpret the harmonic content of the

        themes in a new way when appropriate.

         This one is written in double counterpoint, meaning that

        the two themes can appear in any order from bass to soprano,

        free counterpoint filling the vacant voice.





             Vesa Norilo
             AD 2000 


        250 years have passed since the master of counterpoint
        passed away. To celebrate his legacy and promote polyphonic
        music whose pinnacle his works represent, I shall write
        a series of contrapuntal pieces in tribute to him. 

        To J. S. Bach, my humble reverence.


        I will gladly instruct everyone interested in Bach's
        composition technique to the fullest of my mediocre ability
        and knowledge. Mail me at warder@dlc.fi if you are interested.

• http://ftp.modland.com/pub/modules/Impulsetracker/Warder
• http://ftp.modland.com/pub/modules/Impulsetracker/Warder/con p iii - fuga in c.it
• https://modarchive.org/index.php?request=view_by_moduleid&query=178029

1. Harpsichord
3. Cello (Basso Continuo)
4. Oboe (Alto)
5. Flute (Soprano)