
Dimensioner's Cut
- Format:
- Impulse Tracker 2.14 IT 2.14
- Size:
- 768297 bytes
- BPM:
- 140
- Speed:
- 3
- Channels:
- 33
- Song Length:
- 41
- Samples:
- 82
- Instruments:
- 42
- Patterns:
- 49
- Tracks:
- 1
- Track length:
- 1617
- SHA1:
- dd524b807d1e1743247b69d46e097d09ba0b86a7
- MD5:
- 3ae5d99b7d38db46591fbc21adc1d738
Comment
DIMENSIONER'S CUT (4:41) by Eterman. Finished in 15.9.2000 -a fusion of Folk, Funk, Jazz, Demostyle and Breakbeat. I heard there is some drum'n'bass resemblance as well, but I wouldn't know about it, as I am not acquainted with that genre. However, it's in my list, some day to make a fusion song of dnb and some other style. First I had folk. It was plain and easy. I wandered around, and finally I found breakbeat. There. Now I had two factors (plus my own creativity) and thus a space to build on. I started to realize the picture. I knew what it was about, although I didn't yet have all the pieces. As I stumbled upon jazz/funk bassline solutions, I thought it was all there, but there was yet one thing I had forgotten. I had forgotten fusion, the thing it was all about. Not until I figured it out, and calmly replaced the pieces accordiongly, was the jigsaw ready to be released. In all four dimensions. I must admit, that I got a bit carried away, but who cares. I like it this way. Bit showing off but don't let it bother you. If it annoys you, think about that there are also artists that don't have to demonstrate their skills with such a strong method that you can hear in this piece. Consider this an experiment. After all, it's fusion, linking together quite a few genres, and thus quite an effort as an experiment. Somehow I'm getting back to my tracking roots with this piece. The demostyle atmosphere is plainly heard and in the harmonies here there are many elements that are found in 'Insight' and some older never released tracks (which is just as well). Now, you still think folk music ain't cool? And man, did I have good time tracking this! It meant a lot of work, but I love the result now. And every time I had an inspiration to a new turn, a new twist, well, I have to say it was wonderful. You either do know what it's like or not; describing the feelings is almost impossible. I put most of my knowledge and talent in this work and that was the most delightful part of the process. To realise my potential and hear my own style in this kind of blend like a mortar keeping the bricks together. (well, actually mortar keeps the bricks apart, but anyhow...) The other part of the process were the many idle hours I spent tracking and creating this. For me, it always takes plenty of time to finish a song. I can only hope you enjoy this one at least near as much as I. No genre is worse than another. They are just ways to create something. I recall Warder once writing that having few favourite genres is the first step to prejudice. (I really hope the quote here is at least almost correct) I may seem to dislike trance, but the truth is, I have nothing against the genre. I have even heard some good trance pieces (and almost enjoyed them!). The more I have listened to music, the more genres I have learned to evaluate, but sometimes it takes a lot of time to understand certain style or harmony. Yet I tell you people: it's worth it. The more music I've learned to know, the better view and understanding I've achieved. Believe me, friends and neigbors, enjoying music turns out even greater with development. I have gained more angle, yet there is still this childish wonder and curiosity. Looking for something new with enthusiastic amazement. I recall once defining folk music simply by using instruments, as for example medieval music relies much on right kind of instruments, that build up the atmosphere. Now, melody does create the atmosphere as well, but as different genres have different types of moods (usually and at large, that is, gothic music, for example, is all based on certain moods) and certain instruments also add their own influence, there are many factors to define a genre. As I've been thinking about these things, and at the same time listening to different types of music, I have become a bit more open to all music styles, different kind of types for expression. It's all about art. What ever the method of expressing certain ideas, the result (listener's impression) is always the most important thing. Let it be simple, complex, fresh, trite, there is always a certain type of expression, and it's eventually up to the listener, whether that expression is good or bad. The artistic side of music is always plainly subjective. There is no objective point of view for that. So what is needed in critical listening of music are both subjective and objective angles; Experiencing, while still analyzing. I don't like to talk about tastes. It's a real conversation killer. Of course we are different. Of course we have different tastes. But what comes to my taste, it has never been stable. And that's just what makes it all interesting. Music values, opinions, tastes, subjective and objective critizism, it's all one merry theory of relativeness. Hokay, enough bull now. Greez: A51 (you do have skill, I hope you realise that) BeatBoostie CykiQ Da Freaker (Just keep on workin' :) Your techno brings me back memories!) Fermus Idaho (It's a gift to know talented artists.) Luopio (How come you not yet release Gaschamber Musick or Uthor Axis?!) Pete Cacmac (You develope, man. Only the deaf won't notice that!) Pikari PlasticMind Space Walk (Battleships for all comments and support!) Stumbleine Ufopoli Whiz And all the rest of you jolly chaps in Starchat! - say this 3x fast ;) - All credits to www.traxinspace.com for me finding these great tracker fellows. Some talented (but fairly unknown) artists I appreciate: DNA-Groove for just tracking great music. Ranger Rick for fresh ideas and a unique way of realising them. - So you think my English is lame or uncomprehensible? This is nothing yet! You should hear me explain my views in my native tonque Finnish! There, I think, is enough mess for any broken language lingvistic. - People wonder how I always write such long stories in song messages. Well, as you look at these three lines here, and think about the fact that there is no plausible bottom line, you most probably get the point. -Harri Kivisto eterman@writeme.com And I almost forgot: this is copyright material. It is the right thing to copy it, but I'd appreciate downloading it from TiS. It is strictly prohibited to use this material for educational purposes or for any other means of torture, no matter how suitable it might be.
Instances
Name | Folder | Archive | Source |
---|---|---|---|
dimensioners cut.it | Impulsetracker/Eterman | Modland |
Links
Samples
# | Name | ST name | Used in | Size | ||
---|---|---|---|---|---|---|
1. | No name | 8 other modules | 84300 | ▶️ | 89%:
sale
|
|
2. | No name | 25 other modules | 8464 | ▶️ | ||
3. | No name | 31880 | ▶️ | 70%:
Sweeeeeeeeeeee
|
||
4. | No name | 4 other modules | 14827 | ▶️ | 54%:
Gloria
|
|
5. | No name | 1 other modules | 17119 | ▶️ | ||
6. | ||||||
7. | No name | 20840 | ▶️ | |||
8. | No name | 35100 | ▶️ | 64%:
Electronened campaign
|
||
9. | No name | 29761 | ▶️ | 89%:
BUUUU Man
|
||
10. | No name | 30017 | ▶️ | 81%:
This song starts here
|
||
11. | No name | 31192 | ▶️ | 71%:
B
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12. | No name | 27547 | ▶️ | |||
13. | No name | 29557 | ▶️ | 61%:
Thanks for watching!
|
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14. | No name | 30404 | ▶️ | 52%:
'"
|
||
15. | No name | 34751 | ▶️ | 74%:
Wheeee!
|
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16. | No name | 26530 | ▶️ | 75%:
a
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17. | No name | 23831 | ▶️ | 55%:
YEAH, I D
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18. | No name | 17081 | ▶️ | |||
19. | No name | 21401 | ▶️ | |||
20. | No name | 14875 | ▶️ | |||
21. | No name | 4 other modules | 36527 | ▶️ | ||
22. | No name | 1 other modules | 4843 | ▶️ | ||
23. | No name | 346 other modules | 2200 | ▶️ | ||
24. | No name | 76774 | ▶️ | |||
25. | No name | 1 other modules | 14960 | ▶️ | ||
26. | No name | 39 other modules | 10188 | ▶️ | ||
27. | No name | 2 other modules | 30260 | ▶️ | ||
28. | No name | 13 other modules | 5987 | ▶️ | ||
29. | No name | 29 other modules | 2944 | ▶️ | ||
30. | No name | 36960 | ▶️ | |||
31. | No name | 34540 | ▶️ | |||
32. | No name | 19919 | ▶️ | |||
33. | No name | 22068 | ▶️ | |||
34. | No name | 5 other modules | 3033 | ▶️ | ||
35. | No name | ST-07:highhat2 | 603 other modules | 2006 | ▶️ | |
36. | No name | 7 other modules | 11947 | ▶️ | ||
37. | No name | 15793 | ▶️ | |||
38. | No name | 1 other modules | 7931 | ▶️ | ||
39. | No name | 6781 | ▶️ | |||
40. | No name | 8451 | ▶️ | |||
41. | No name | 3219 | ▶️ | |||
42. | ||||||
43. | No name | 9 other modules | 22016 | ▶️ | ||
44. | No name | 54373 | ▶️ | 79%:
Whoa!
|
||
45. | No name | 1 other modules | 2267 | ▶️ | ||
46. | No name | 3 other modules | 58301 | ▶️ | 98%:
Mmm
|
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47. | ||||||
48. | ||||||
49. | ||||||
50. | ||||||
51. | My feelings now: | |||||
52. | ||||||
53. | -exhausted | |||||
54. | -glad | |||||
55. | -excited (yeah, still) | |||||
56. | -puzzled (what the poop | |||||
57. | have I done this time?) | |||||
58. | =) :) :) :) :) =) =) | |||||
59. | ||||||
60. | ||||||
61. | ||||||
62. | ||||||
63. | ||||||
64. | ||||||
65. | ||||||
66. | ||||||
67. | ||||||
68. | ||||||
69. | ||||||
70. | ||||||
71. | ||||||
72. | Apologies for all ripped | |||||
73. | samples. Most 8bit | |||||
74. | anyway - not that high | |||||
75. | quality. It's about how | |||||
76. | they are used. | |||||
77. | ||||||
78. | Tried to find small | |||||
79. | samples, as I have a | |||||
80. | slow connection myself | |||||
81. | and I love to down- and | |||||
82. | upload small files. ;) |
Instruments
- Strings
- Strings
- Pluck
- Pluck 2
- Accordion
- Accordion
- Ride
- Jazz organ
- Orchestral bckgrnd
- Piano
- Piano
- hi-hat
- Bass
- Bass drum
- Tambourine
- Comp 3
- Comp 4
- Snare
- Snare 2
- Organ
- Jazz organ
- Bass 2
- Bass 2
- Bass
- Organ
- Techno Bass
- Xylophone
- Xylophone
- Lead
- Organ
- Flute
- hihat.closed
- hihat.opened
- perc
- perc
- perc
- perc
- perc
- Flute
Similar sample set
Frederikshavn | 30% |
Pezmerize | 25% |
Tears of a Macintosh | 19% |
Alba | 19% |
s | 17% |
...tribe... 138bpm. | 17% |
s | 17% |
s | 17% |
s | 17% |
poison party | 17% |
Via Remoteness (HMC) | 14% |
aggression1 | 14% |
The Last Verge | 12% |
Shelter | 11% |
Aceton fit | 10% |
Ocaso | 10% |
Techno-Reggae Intro | 10% |
Welding Chairs | 9% |
Wiped away | 8% |
Northern Shimmer | 8% |
Day Before Morrow | 8% |
Searching... | 6% |
Recovery of Harmathia | 6% |
Hope In Him | 6% |
phunkytown | 4% |