![.mod sample master](/images/msm-logo.png)
4) Makoto Loves Tofu (4 r
- Format:
- OpenMPT 1.31 IT 2.16
- Size:
- 1186133 bytes
- BPM:
- 135
- Speed:
- 3
- Channels:
- 36
- Song Length:
- 35
- Samples:
- 25
- Instruments:
- 24
- Patterns:
- 29
- Tracks:
- 1
- Track length:
- 1044
- SHA1:
- d059b2e6f31d39df5298da2bd30b0c99974e1b08
- MD5:
- 1c583f99f9132eeeb514024d25a3932a
Comment
%%%%% %%% %%% %%% %%% %%%%%%% %%% %%% %%%%%% %%%%% %%% %%% %%% %%% %%%%%%% %%% %%% %%% %%% %%%%%%% %%% %%% %%%%%% %%%%%%% %%% %%% %%% %%% %%% %%% %%%%% %%%\%%% %%% %%% %%% %%% %%% %%% %%% %%% %%%-%%% %%%%% %%%%% %%%%%%% %%% %%%%%%% %%%%%% %%%%% %%% %%%%% %%+%% %%%%% %%% %%%%%%% %%% %%%%%%% %%%%%% %%%%% %%% %%-%% %%%%% %%% %%% %%% %%%\%%% %%% %%% %%% %%% %%% %%% %%% %%%%% %%%%% %%%%%%% %%% %%% %%% %%% %%% %%% %%%%%% %%%%%%% %%%%%% %%%%%%% %%% %%%%% %%% %%% %%% %%% %%% %%% %%%%%% %%%%% %%%%%% %%% %%% %%% =========================================================================== @@ @@ .@@@@@@@@@. .@@ .@@@@@ @@ @@@@ .@@@@@ @@ @' '@@@@.'@@..@@@@@. @ .@ _.@@@@ .@' @@@@ .@@@' @ @@@@@ @@@@ @@ @ @ @@@ @@ .@' @@'@@@@@@ @@@@@ @=@ @@ @@@@@ @@ @' .@ @@@@ @@ @@ @@ @@.\_@@@@@@@'@@ .@@ .@ `@@@@@@ @@' .@@@@@@@@'.@@ @@@. @@@ @'@@' @@' '@@@@@@@' # # # # ## # # ## ## # ## # # # ## ### # # ## ## ## # # #_# # # # # # # # # # # # # # # # # # #= # ### #_# #= ## # # # # # ### ## # # # # # ## ### ## ## # # # ## ## # =========================================================================== Title : Makoto Loves Tofu (Revision Mix) Version : 1.00 Creation date: 29.03.2024 Time : 03:27 Tempo : 135BPM Channels : 36 Samples : 25 Instruments : 24 Patterns : 28 Used soft : OpenMPT, Renoise Genre : Eurobeat, Spacesynth Setup : Ramping - yes, interpolation - higher is better, necessarily stereo --------------------------------------------------------------------------- Description: An attempt to cross wet with moist, specifically two closely related genres that are structurally similar to each other like two drops of water - Eurobeat and Spacesynth. Spacesynth is probably the most traditional genre for the demoscene, while Eurobeat is one of the least (although it still occurs, hi and respect to Tempest with his STxx early Eurobeat). By itself, the mixing of Eurobeat with Spacesynth is not exactly new and is actively represented, for example, by the works of Made Up Records, some of which even appeared on early SEB compilations. After all, the classic Spacesynth itself, as we know it, largely comes from Eurobeat. However, due to this similarity, all this crossing was limited to introducing the classic song form into Spacesynth, since in general there is nothing more to combine - from the composition point of view, they are ~90% the same and differ mainly only in production. The task here was to cross two genres so that the melody was unambiguously interpreted by both genres simultaneously, but without resorting to vocals. Initially, I wanted to do something energetic and cocky - excessive masculinity, reckless drive, cars roaring in a drift, crazy night parties and others stuff like that, that is, something that is clearly not inherent in Spacesynth, but is often characteristic of Eurobeat. In general, something like Italian Dead or Alive-like tunes, as "Hyperbeat Tonight" by NRG Boys, Farina's "Boom Boom Dollar", Oda's "Shy Gun" and Mike Hammer's "Heartbreaker", but only adjusted for space and futurism. Initially, everything turned out that way, but as I worked on the riff, I began to go on the contrary into something, as for me, very cute and bright, which, however, only played into my hands in the original plan. As always, everything was done at the very last moment and in a very big hurry. I didn't do everything I wanted, and there are numerous rough edges + the mixing suffers, since about half of the melody had to be done impromptu directly in OpenMPT without any mixing of instruments in Renoise. I didn't even have time to do shit-control. Probably later (though I don't know when) I will make a more expanded version, where all this will be corrected and there will be everything that I wanted initially, like normal couplets, staccato chords ostinato, piano, orchhits, syncleads, more percussion, etc. I consider the experiment to be successful, but I still need to work on it; it's clearly not fully completed. Samples credits: All samples made by me, except three overused samples from Zero-G Datafile Three. Used synths/samplers/VST emulators - Yamaha DX7, S-YXG50, Korg M1, Roland Juno-106, Alpha Juno, D-50, JD-800, TR-707, TR-727, Ensoniq SQ-80, E-mu Emulator II and Kawai R-50 III. Contacts: Twitter : @KrikIDDQD SoundCloud: soundcloud.com/syntheslav Discord : Krik_IDDQD Email : frozen3200'at_sign'gmail.com (If you really want to contact me - it's better write me in Discord, not at email) Special Thanks: se_otari_man, nrgitalostyle, Vasiliy Khonichev, Axis Mundi and my cats Maurizio and Flavius. Greetings to: Porno-UZI, Black Hole, Megus, Jay Dee, Mark Vera, Dreamtime, Anders Lundqvist, Everdune and everyone else from Spacesynth.ru and Spacesynth discord, n1k-o, and guys from LegacyZ and Yandex.museum. Made for Revision 2024 Tracked music compo. =========================================================================== Rights reserved under the CC BY-NC-SA 4.0 license 29.03.2024 Grigorij "Syntheslav" Markov
Instances
Source | Name | Folder |
---|---|---|
Modland | makoto loves tofu.it | Impulsetracker/Syntheslav/ |
Links
Samples
# | Name | Used in | Size | ||
---|---|---|---|---|---|
1. | Juno LD bass v | 4029 | ▶️ | ||
2. | Juno LD bass ^ | 25402 | ▶️ | ||
3. | DX Aleph bass v soft | 10017 | ▶️ | ||
4. | DX Aleph bass ^ strong | 64136 | ▶️ | ||
5. | DX Koto bass | 4771 | ▶️ | ||
6. | M1 SuperSlap | 40333 | ▶️ | ||
7. | SQ-80 SQBell | 22284 | ▶️ | ||
8. | JD-800 Mr.Brass | 103837 | ▶️ | ||
9. | M1 Choir | 111872 | ▶️ | 96%:
queue
|
|
10. | XG Strings | 32962 | ▶️ | ||
11. | Zero-G Stop the Beat! | 17571 | ▶️ | 98%:
Stop the beat!
|
|
12. | Zero-G Stop playback | 8627 | ▶️ | ||
13. | Zero-G Maharaja Siren | 59234 | ▶️ | ||
14. | Kawai R-50 Kick | 10393 | ▶️ | ||
15. | Kawai R-50 Snare | 19950 | ▶️ | ||
16. | TR-707 Clap | 8336 | ▶️ | ||
17. | TR-707 Closed HH | 4490 | ▶️ | ||
18. | TR-707 Open HH | 10706 | ▶️ | ||
19. | TR-707 CowBell | 8134 | ▶️ | ||
20. | TR-727 Agogo Hi | 6674 | ▶️ | ||
21. | TR-727 Agogo Lo | 7829 | ▶️ | ||
22. | Alpha Juno ElecTom | 12782 | ▶️ | ||
23. | Alpha Juno ElecTom reverb | 22272 | ▶️ | ||
24. | E-Mu Guitar double | 7427 | ▶️ | ||
25. | D-50 SpaciousSweep | 73720 | ▶️ | 54%:
H
|
Instruments
- Juno LD Bass v
- Juno LD Bass ^
- DX Aleph bass v
- DX Aleph bass ^
- DX Koto bass
- M1 SuperSlap
- SQ-80 SQBell
- JD-800 Mr.Brass!
- R-50 Kick
- R-50 Snare
- TR-707 Clap
- TR-707 Closed HH
- TR-707 Open HH
- TR-707 CowBell
- TR-727 Agogo
- Alpha ElecTom
- Alpha ElecTom reverb
- E-Mu DistGit
- Tracker Acid
- M1 Choir
- XG StereoStrings
- VFX "Stop the Beat!"
- VFX Scratch
- VFX Maharaja Siren