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===========================================================================
Title : Makoto Loves Tofu (Revision Mix)
Version : 1.00
Creation date: 29.03.2024
Time : 03:27
Tempo : 135BPM
Channels : 36
Samples : 25
Instruments : 24
Patterns : 28
Used soft : OpenMPT, Renoise
Genre : Eurobeat, Spacesynth
Setup : Ramping - yes, interpolation - higher is better,
necessarily stereo
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Description:
An attempt to cross wet with moist, specifically two closely related
genres that are structurally similar to each other like two drops of
water - Eurobeat and Spacesynth. Spacesynth is probably the most
traditional genre for the demoscene, while Eurobeat is one of the least
(although it still occurs, hi and respect to Tempest with his STxx early
Eurobeat). By itself, the mixing of Eurobeat with Spacesynth is not
exactly new and is actively represented, for example, by the works of
Made Up Records, some of which even appeared on early SEB compilations.
After all, the classic Spacesynth itself, as we know it, largely comes
from Eurobeat. However, due to this similarity, all this crossing was
limited to introducing the classic song form into Spacesynth, since in
general there is nothing more to combine - from the composition point of
view, they are ~90% the same and differ mainly only in production. The
task here was to cross two genres so that the melody was unambiguously
interpreted by both genres simultaneously, but without resorting to
vocals.
Initially, I wanted to do something energetic and cocky - excessive
masculinity, reckless drive, cars roaring in a drift, crazy night parties
and others stuff like that, that is, something that is clearly not
inherent in Spacesynth, but is often characteristic of Eurobeat. In
general, something like Italian Dead or Alive-like tunes, as "Hyperbeat
Tonight" by NRG Boys, Farina's "Boom Boom Dollar", Oda's "Shy Gun" and
Mike Hammer's "Heartbreaker", but only adjusted for space and futurism.
Initially, everything turned out that way, but as I worked on the riff,
I began to go on the contrary into something, as for me, very cute and
bright, which, however, only played into my hands in the original plan.
As always, everything was done at the very last moment and in a very big
hurry. I didn't do everything I wanted, and there are numerous rough
edges + the mixing suffers, since about half of the melody had to be done
impromptu directly in OpenMPT without any mixing of instruments in
Renoise. I didn't even have time to do shit-control. Probably later
(though I don't know when) I will make a more expanded version, where all
this will be corrected and there will be everything that I wanted
initially, like normal couplets, staccato chords ostinato, piano,
orchhits, syncleads, more percussion, etc. I consider the experiment to
be successful, but I still need to work on it; it's clearly not fully
completed.
Samples credits:
All samples made by me, except three overused samples from Zero-G
Datafile Three. Used synths/samplers/VST emulators - Yamaha DX7, S-YXG50,
Korg M1, Roland Juno-106, Alpha Juno, D-50, JD-800, TR-707, TR-727,
Ensoniq SQ-80, E-mu Emulator II and Kawai R-50 III.
Contacts:
Twitter : @KrikIDDQD
SoundCloud: soundcloud.com/syntheslav
Discord : Krik_IDDQD
Email : frozen3200'at_sign'gmail.com
(If you really want to contact me - it's better write me in Discord,
not at email)
Special Thanks:
se_otari_man, nrgitalostyle, Vasiliy Khonichev, Axis Mundi and my cats
Maurizio and Flavius.
Greetings to:
Porno-UZI, Black Hole, Megus, Jay Dee, Mark Vera, Dreamtime, Anders
Lundqvist, Everdune and everyone else from Spacesynth.ru and Spacesynth
discord, n1k-o, and guys from LegacyZ and Yandex.museum.
Made for Revision 2024 Tracked music compo.
===========================================================================
Rights reserved under the CC BY-NC-SA 4.0 license
29.03.2024 Grigorij "Syntheslav" Markov
