| # | Name | Used in | Size | 
                
                    | 1. | Heavy orchestra | 45 other modules | 28306 | ▶️ |  | 
                
                    | 2. | Pizzicato | 1195 other modules | 9400 | ▶️ |  | 
                
                    | 3. | KettleDrums | 352 other modules | 7751 | ▶️ |  | 
                
                    | 4. | Double-bass | 10 other modules | 2828 | ▶️ |  | 
                
                    | 5. | Flute | 93 other modules | 7750 | ▶️ |  | 
                
                    | 6. |  |  |  |  |  | 
                
                    | 7. |  |  |  |  |  | 
                
                    | 8. |  |  |  |  |  | 
                
                    | 9. |  |  |  |  |  | 
                
                    | 10. | Call me pathetic, |  |  |  |  | 
                
                    | 11. | call me what you will... |  |  |  |  | 
                
                    | 12. |  |  |  |  |  | 
                
                    | 13. | <- BUT I WILL STILL RIP! -> |  |  |  |  | 
                
                    | 14. | PERKELE VITTU SAATANA!! |  |  |  |  | 
                
                    | 15. |  |  |  |  |  | 
                
                    | 16. | This is an ode to Peter |  |  |  |  | 
                
                    | 17. | Hajba (a.k.a. Skaven of the |  |  |  |  | 
                
                    | 18. | Future Crew).  I am writing |  |  |  |  | 
                
                    | 19. | it not to imitate him, but |  |  |  |  | 
                
                    | 20. | to praise him.  He has done |  |  |  |  | 
                
                    | 21. | for the demoscene what |  |  |  |  | 
                
                    | 22. | George Martin (the Beatles' |  |  |  |  | 
                
                    | 23. | producer) has done for |  |  |  |  | 
                
                    | 24. | the orchestra; he has |  |  |  |  | 
                
                    | 25. | provided modern music in |  |  |  |  | 
                
                    | 26. | the form of symphonics. |  |  |  |  | 
                
                    | 27. | Many of the samples, in |  |  |  |  | 
                
                    | 28. | fact, have been ripped out |  |  |  |  | 
                
                    | 29. | of the music he wrote in |  |  |  |  | 
                
                    | 30. | Unreal II (a.k.a. Second |  |  |  |  | 
                
                    | 31. | Reality).  Now I will fill |  |  |  |  | 
                
                    | 32. | the remainder of this text |  |  |  |  | 
                
                    | 33. | with my own personal |  |  |  |  | 
                
                    | 34. | bullshit. :-) |  |  |  |  | 
                
                    | 35. |  |  |  |  |  | 
                
                    | 36. | Greetz to: |  |  |  |  | 
                
                    | 37. | Skaven / FC (of course!) |  |  |  |  | 
                
                    | 38. | Purple Motion / FC |  |  |  |  | 
                
                    | 39. | fLAtRiCh / Earsnacks |  |  |  |  | 
                
                    | 40. | Edge / EMF |  |  |  |  | 
                
                    | 41. | NONE of the 7 Gods |  |  |  |  | 
                
                    | 42. | ALL members of Lame :) |  |  |  |  | 
                
                    | 43. | Ruusu Sampsa Hario |  |  |  |  | 
                
                    | 44. | Teppo Oranne |  |  |  |  | 
                
                    | 45. | Abyss / FC |  |  |  |  | 
                
                    | 46. | MiG / Weird Magic |  |  |  |  | 
                
                    | 47. | All my PAScil beta |  |  |  |  | 
                
                    | 48. | testers (well, the ones |  |  |  |  | 
                
                    | 49. | who actually WRITE! :) |  |  |  |  | 
                
                    | 50. | All of Live (real-life |  |  |  |  | 
                
                    | 51. | rock group, i.e. I |  |  |  |  | 
                
                    | 52. | Alone, Lightning |  |  |  |  | 
                
                    | 53. | Crashes, Waitress, etc) |  |  |  |  | 
                
                    | 54. | Necros / Psychic Monks |  |  |  |  | 
                
                    | 55. | All of Future Crew |  |  |  |  | 
                
                    | 56. | Crash Test Dummies |  |  |  |  | 
                
                    | 57. | All those groovy cool |  |  |  |  | 
                
                    | 58. | dudes on StarPort |  |  |  |  | 
                
                    | 59. | All those anonymous |  |  |  |  | 
                
                    | 60. | composers from the 80's |  |  |  |  | 
                
                    | 61. | who wrote really cool |  |  |  |  | 
                
                    | 62. | stuff (I'm still |  |  |  |  | 
                
                    | 63. | looking for whoever did |  |  |  |  | 
                
                    | 64. | Klisje Paa Klisje, Art, |  |  |  |  | 
                
                    | 65. | Scoopex, etc.) |  |  |  |  | 
                
                    | 66. | All the really cool ones |  |  |  |  | 
                
                    | 67. | in the scene (i.e. |  |  |  |  | 
                
                    | 68. | those that are either |  |  |  |  | 
                
                    | 69. | not lame, or willing to |  |  |  |  | 
                
                    | 70. | admit that they're |  |  |  |  | 
                
                    | 71. | lame :) |  |  |  |  | 
                
                    | 72. | Them guys who put the |  |  |  |  | 
                
                    | 73. | BisTro project together |  |  |  |  | 
                
                    | 74. | All of the Assembly |  |  |  |  | 
                
                    | 75. | organizers *EXCEPT* |  |  |  |  | 
                
                    | 76. | the ones who scheduled |  |  |  |  | 
                
                    | 77. | '95 to coincide with |  |  |  |  | 
                
                    | 78. | University... :( |  |  |  |  | 
                
                    | 79. | All S3M/MOD composers |  |  |  |  | 
                
                    | 80. | No MTM composers (except |  |  |  |  | 
                
                    | 81. | Chris Rizzo) |  |  |  |  | 
                
                    | 82. | No MIDI composers (except |  |  |  |  | 
                
                    | 83. | Smoggy) |  |  |  |  | 
                
                    | 84. | L8rz |  |  |  |  | 
                
                    | 85. |  |  |  |  |  | 
                
                    | 86. | BTW, this is (c)1995 |  |  |  |  | 
                
                    | 87. | Quantum Porcupine a.k.a. |  |  |  |  | 
                
                    | 88. | Joshua Shagam.  (Finally |  |  |  |  | 
                
                    | 89. | you know who did it... :) |  |  |  |  | 
                
                    | 90. |  |  |  |  |  | 
                
                    | 91. | Contact info: (Pref. Ord) |  |  |  |  | 
                
                    | 92. | Joshua@navier.highland. |  |  |  |  | 
                
                    | 93. | nmhs.edu |  |  |  |  | 
                
                    | 94. | QPorcupine@aol.com |  |  |  |  | 
                
                    | 95. | JoshuaS@aol.com |  |  |  |  | 
                
                    | 96. |  |  |  |  |  | 
                
                    | 97. | I only list AOL because |  |  |  |  | 
                
                    | 98. | those are the only stable |  |  |  |  | 
                
                    | 99. | ones @ moment... :( |  |  |  |  |