| # |
Name |
Used in |
Size |
| 1. |
Hey, people, my first real |
9 other modules
|
3542 |
▶️
|
|
| 2. |
The IRC guys such as |
6 other modules
|
4550 |
▶️
|
|
| 3. |
written by me, castman. |
24 other modules
|
38990 |
▶️
|
72%:
message
|
| 4. |
How did I get that name, |
|
|
|
|
| 5. |
you may ask, well I broke |
56 other modules
|
5650 |
▶️
|
|
| 6. |
my arm and got a cast, so |
6 other modules
|
4550 |
▶️
|
|
| 7. |
there, satisfied? |
|
9700 |
▶️
|
|
| 8. |
A strange name for a |
43 other modules
|
12112 |
▶️
|
|
| 9. |
song, don't you think? |
5 other modules
|
1686 |
▶️
|
|
| 10. |
Well, I'm really not a |
|
|
|
|
| 11. |
musician, but I just |
10 other modules
|
4052 |
▶️
|
|
| 12. |
compose for fun. I |
4 other modules
|
13462 |
▶️
|
|
| 13. |
composed s3m's before |
|
|
|
|
| 14. |
but they were worse than |
|
|
|
|
| 15. |
this one, so you can |
141 other modules
|
9900 |
▶️
|
|
| 16. |
imagine how the last ones |
|
|
|
|
| 17. |
sucked. This 'project' |
|
|
|
|
| 18. |
will be soon finished. |
|
|
|
|
| 19. |
|
|
|
|
|
| 20. |
I would like to apoligize |
|
|
|
|
| 21. |
to every one whom I ripped |
|
|
|
|
| 22. |
samples from. I don't know |
|
|
|
|
| 23. |
whom exactly I ripped them |
|
|
|
|
| 24. |
from, but I am deeply |
|
|
|
|
| 25. |
sorry. But most of the |
|
|
|
|
| 26. |
samples are mine anyaway. |
|
|
|
|
| 27. |
|
|
|
|
|
| 28. |
Greetz: |
|
|
|
|
| 29. |
|
|
|
|
|
| 30. |
-Netman, my brother, who |
|
|
|
|
| 31. |
even though didn't help |
|
|
|
|
| 32. |
much, advised on how the |
|
|
|
|
| 33. |
samples should sound. |
|
|
|
|
| 34. |
-Heroin, the hacker who |
|
|
|
|
| 35. |
inspired me to write this |
|
|
|
|
| 36. |
piece and to prove to him |
|
|
|
|
| 37. |
I am worth it. |
|
|
|
|
| 38. |
-Verminator, even though |
|
|
|
|
| 39. |
I don't know you |
|
|
|
|
| 40. |
personally, your music |
|
|
|
|
| 41. |
inspired me to write this, |
|
|
|
|
| 42. |
even if it didn't come |
|
|
|
|
| 43. |
close to your music. BTW, |
|
|
|
|
| 44. |
you know my bro Netman! |
|
|
|
|
| 45. |
-Purple Motion and the |
|
|
|
|
| 46. |
rest of the Future Crew |
|
|
|
|
| 47. |
composers. Hey, you might |
|
|
|
|
| 48. |
think, how is this crappy |
|
|
|
|
| 49. |
'musician' comparing |
|
|
|
|
| 50. |
himself to the Future |
|
|
|
|
| 51. |
Crew? Well, I like them. |
|
|
|
|
| 52. |
-Necros, from the music |
|
|
|
|
| 53. |
disk Proggression, I liked |
|
|
|
|
| 54. |
the piece collage very |
|
|
|
|
| 55. |
much. I admire you. |
|
|
|
|
| 56. |
-A lot of other people I |
|
|
|
|
| 57. |
don't know and will not |
|
|
|
|
| 58. |
know, and the great |
|
|
|
|
| 59. |
musicians I have not |
|
|
|
|
| 60. |
mentioned. Peace!!! |
|
|
|
|
| 61. |
-And last but not least, |
|
|
|
|
| 62. |
a guy who doesn't even |
|
|
|
|
| 63. |
have a handle at this time |
|
|
|
|
| 64. |
and is the co-sysop of |
|
|
|
|
| 65. |
Bopooba BBS, Eugene |
|
|
|
|
| 66. |
Lerner. He is my personal |
|
|
|
|
| 67. |
friend, which is the only |
|
|
|
|
| 68. |
reason of even greeting |
|
|
|
|
| 69. |
him in the first place, |
|
|
|
|
| 70. |
hey that's not enough of |
|
|
|
|
| 71. |
a reason? |
|
|
|
|
| 72. |
|
|
|
|
|
| 73. |
This song was 'released' |
|
|
|
|
| 74. |
in April 1997 for the |
|
|
|
|
| 75. |
Disembodied Voices BBS. |
|
|
|
|
| 76. |
|
|
|
|
|
| 77. |
|
|
|
|
|
| 78. |
|
|
|
|
|
| 79. |
|
|
|
|
|
| 80. |
|
|
|
|
|
| 81. |
|
|
|
|
|
| 82. |
|
|
|
|
|
| 83. |
|
|
|
|
|
| 84. |
|
|
|
|
|
| 85. |
|
|
|
|
|
| 86. |
|
|
|
|
|
| 87. |
|
|
|
|
|
| 88. |
|
|
|
|
|
| 89. |
|
|
|
|
|
| 90. |
|
|
|
|
|
| 91. |
|
|
|
|
|
| 92. |
|
|
|
|
|
| 93. |
|
|
|
|
|
| 94. |
|
|
|
|
|
| 95. |
|
|
|
|
|
| 96. |
Hey, there is absolutely |
|
|
|
|
| 97. |
nothing to read over |
|
|
|
|
| 98. |
here so if you don't mind, |
|
|
|
|
| 99. |
just listen to the song. |
|
|
|
|
