Tarka's Anthem
- Format:
- Impulse Tracker 2.14v3 IT 2.14
- Size:
- 338852 bytes
- BPM:
- 119
- Speed:
- 10
- Channels:
- 15
- Song Length:
- 39
- Samples:
- 33
- Instruments:
- 13
- Patterns:
- 34
- Tracks:
- 2
- Track length:
- 510
- SHA1:
- 9397c4a12caa1479266f9005352177f36df22378
- MD5:
- 91d383d8508d39d7636e21def2a33a06
Comment
T A R K A ' S A N T H E M original (c) Harry Williamson and Anthony Phillips arranged, tracked and sequenced in Impulse Tracker by Liam the lemming [Process Five, Kosmic Free Music Foundation, Twain] I discovered this track at my sister's place, where I heard it on her stereo. I fell in love with the piece from the first moment and set my heart on tracking it. I borrowed the tape and took it home. The inlay was missing, and Tarka was the name of the whole tape so I went on an epic struggle to track down the track's true name. More about that later tho. I played the song a few times and found myself moved to tears... not just by the equal share of joy and sadness within the simple yet enchanting chord progression, but by the knowledge that I had neither the samples nor the skill to accomplish the task I had set myself. ----------- That was in November 1996. More recently (early February 1997), after acquiring many more samples, I rediscovered the tape and played the melody to myself. A few notes caught my attention. "Hmm. I know just the sample for that string." And so I began the task. First the strings, then the percussion, the oboe and the piccolo. Before long, I'd completed the first five patterns, but something was missing. "Hang on, I picked up some guitar samples from Ballistique and Argh the other day..." And so I reached pattern 9. Then the original became a little more elaborate. In an infuriating subtle manner. *click, whirrr, click* "Bugger, what IS that thing?!" *click, whirr, click* <ad nauseam> Eventually, I made a guess. The SoundWave Sndtrk3.snd sample was ideal. I could get started again. I found myself continually referencing to the tape... "Hmm, how does that bit go again?" ...until I reached a point where I figured... "Sod it. I'll improvise." So everything from order 17 onward became a blend of faithful conversion and improvisation. And it sounded wonderful. Then I decided to break off from the original entirely at order 26 and pushed it up a tone and a half. It suited it better than I could have hoped, and it spurred me on to finish the last few patterns. I'd say it was better than Painting Rainbows... but that's my opinion, and probably because I love the chord progression so much and feel so proud that it's even a little BETTER than the original. (IMHO.) ----------- The history, tho. Well, I was determined to find the true name of the piece, and scoured the web for ANY information on it. I ended up learning a huge amount about the origins of the song... The album it originated from was inspired by a novel called "Tarka The Otter", by -Henry- Williamson, the father of Harry, who co-wrote the album with Anthony Phillips. The intention was for it to be the soundtrack to an animated film based on the book. Sadly, it was never to be. :( But the album was released, and won much critical acclaim. Then fate dealt a cruel blow. The record company that owned the rights went bust. The album all but vanished... until some years later, when another record company managed to get their hands on it and release it once again. And now I've heard it. And this is the result. Don'cha just love happy endings? =) ----------- Greets to all my friends on #trax, the Kosmic multitudes, the Other Two of Three Brits :) and my sister Trish, because it was ultimately her tape that was responsible for this track ever being written. Greets also to Welti, since his samples helped me to realise this ambition. =) Damn, I nearly forgot. =) MASSIVE greets to Harry and Anthony, the original authors, for making such a beautiful piece of music. It was truly a joy to track. =) Lie back and enjoy it, everyone. It's beautiful. =) Lemm
Instances
Source | Name | Folder |
---|---|---|
Modland | tarka's anthem.it | Impulsetracker/Liam The Lemming/ |
Links
Samples
# | Name | ST name | Used in | Size | ||
---|---|---|---|---|---|---|
1. | String.soundwave | 4 other modules | 60989 | ▶️ | 84%:
David
|
|
2. | Woodblock.SoundWave | 7 other modules | 5558 | ▶️ | ||
3. | BDrum.muffled.SoundWave | 10116 | ▶️ | |||
4. | Plik.unknown.old.mod | ST-66:Pind1 | 87 other modules | 2328 | ▶️ | |
5. | Bass.Str.SoundWave.HiQual | 100000 | ▶️ | 75%:
Thanks for watching!
|
||
6. | Hihat.SoundWave.HiQual | 59 other modules | 16299 | ▶️ | ||
7. | Oboe.Siren | 51 other modules | 40891 | ▶️ | 84%:
AAAAAAAAAAAAAAA
|
|
8. | Synthvox2.analog.synth | 20821 | ▶️ | |||
9. | Yamaha12str.2.Ballistique | 43017 | ▶️ | 70%:
all
|
||
10. | Yamaha12str.3.Ballistique | 41277 | ▶️ | 72%:
Thanks for watching!
|
||
11. | Yamaha12str.4.Ballistique | 26032 | ▶️ | |||
12. | Yamaha12str.5.Ballistique | 33992 | ▶️ | |||
13. | Yamaha12str.6.Ballistique | 38204 | ▶️ | |||
14. | English.Horn.Welti.Tropez | 5505 | ▶️ | |||
15. | Piccolo.Welti.Proteus | 90024 | ▶️ | 93%:
inc A
|
||
16. | Tambourine.Zapper.Liberty | 130 other modules | 16252 | ▶️ | ||
17. | sndtrk3.snd.SoundWave | 63521 | ▶️ | 64%:
Pie
|
||
18. | +=====================+ | |||||
19. | | T A R K A ' S | | |||||
20. | | A N T H E M | | |||||
21. | |+-------------------+| | |||||
22. | ||by Liam the lemming|| | |||||
23. | ||---[ProcessFive]---|| | |||||
24. | ||-[Kosmic] [Twain]-|| | |||||
25. | |+-------------------+| | |||||
26. | |Now press Shift-F9 ;)| | |||||
27. | +=====================+ | |||||
28. | Samples by: | |||||
29. | Chris Gould (SoundWave) | |||||
30. | Alexander Brandon (Siren) | |||||
31. | Jon Ransome (Ballistique) | |||||
32. | Wilfred Welti | |||||
33. | Marc Girard (The Zapper) |
Instruments
- String
- Woddblock with reverb
- Bass drum
- Plik
- Bass string
- Hihat
- Sweet Oboe
- Yamaha 12 string acoustic
- English Horn
- Piccolo Peace
- Tambourine
- Synth 5th thingy :>
- Synthvox
Similar sample set
Unrequited | 10% |
Tides of Light | 4% |