Tarka's Anthem


Format:
Impulse Tracker 2.14v3 IT 2.14
Size:
338852 bytes
BPM:
119
Speed:
10
Channels:
15
Song Length:
39
Samples:
33
Instruments:
13
Patterns:
34
Tracks:
2
Track length:
510
SHA1:
9397c4a12caa1479266f9005352177f36df22378
MD5:
91d383d8508d39d7636e21def2a33a06


Comment

                        T A R K A ' S   A N T H E M

            original  (c) Harry Williamson and Anthony Phillips

            arranged, tracked and  sequenced in Impulse Tracker
                            by Liam the lemming
            [Process Five, Kosmic Free Music Foundation, Twain]


I discovered this track at my sister's place, where I heard it on her
stereo. I fell in love with the piece from the first moment and set my
heart on tracking it. I borrowed the tape and took it home. The inlay was
missing, and Tarka was the name of the whole tape so I went on an epic
struggle to track down the track's true name. More about that later tho.

I played the song a few times and found myself moved to tears... not just
by the equal share of joy and sadness within the simple yet enchanting
chord progression, but by the knowledge that I had neither the samples nor
the skill to accomplish the task I had set myself.

                               -----------

That was in November 1996.

More recently (early February 1997), after acquiring many more samples, I
rediscovered the tape and played the melody to myself. A few notes caught
my attention.

"Hmm. I know just the sample for that string."

And so I began the task. First the strings, then the percussion, the oboe
and the piccolo. Before long, I'd completed the first five patterns, but
something was missing.

"Hang on, I picked up some guitar samples from Ballistique and Argh the
 other day..."

And so I reached pattern 9. Then the original became a little more
elaborate. In an infuriating subtle manner.

  *click, whirrr, click*
"Bugger, what IS that thing?!"
  *click, whirr, click* <ad nauseam>

Eventually, I made a guess. The SoundWave Sndtrk3.snd sample was ideal. I
could get started again.

I found myself continually referencing to the tape... "Hmm, how does that
bit go again?" ...until I reached a point where I figured...

                         "Sod it. I'll improvise."

So everything from order 17 onward became a blend of faithful conversion
and improvisation. And it sounded wonderful.

Then I decided to break off from the original entirely at order 26 and
pushed it up a tone and a half. It suited it better than I could have
hoped, and it spurred me on to finish the last few patterns.

I'd say it was better than Painting Rainbows... but that's my opinion, and
probably because I love the chord progression so much and feel so proud
that it's even a little BETTER than the original. (IMHO.)

                               -----------

The history, tho. Well, I was determined to find the true name of the
piece, and scoured the web for ANY information on it. I ended up learning
a huge amount about the origins of the song...

The album it originated from was inspired by a novel called "Tarka The
Otter", by -Henry- Williamson, the father of Harry, who co-wrote the
album with Anthony Phillips. The intention was for it to be the soundtrack
to an animated film based on the book.

Sadly, it was never to be. :( But the album was released, and won much
critical acclaim. Then fate dealt a cruel blow.

The record company that owned the rights went bust.

The album all but vanished... until some years later, when another record
company managed to get their hands on it and release it once again.

And now I've heard it. And this is the result. Don'cha just love happy
endings? =)

                               -----------

Greets to all my friends on #trax, the Kosmic multitudes, the Other Two of
Three Brits :) and my sister Trish, because it was ultimately her tape
that was responsible for this track ever being written.

Greets also to Welti, since his samples helped me to realise this
ambition. =)

Damn, I nearly forgot. =) MASSIVE greets to Harry and Anthony, the
original authors, for making such a beautiful piece of music. It was truly
a joy to track. =)

Lie back and enjoy it, everyone. It's beautiful. =)

                                                                   Lemm

Instances

Source Name Folder
Modland tarka's anthem.it Impulsetracker/Liam The Lemming/

Links

Samples

# Name ST name Used in Size
1. String.soundwave 4 other modules 60989 ▶️ 84%:
David
2. Woodblock.SoundWave 7 other modules 5558 ▶️
3. BDrum.muffled.SoundWave 10116 ▶️
4. Plik.unknown.old.mod ST-66:Pind1 87 other modules 2328 ▶️
5. Bass.Str.SoundWave.HiQual 100000 ▶️ 75%:
Thanks for watching!
6. Hihat.SoundWave.HiQual 59 other modules 16299 ▶️
7. Oboe.Siren 51 other modules 40891 ▶️ 84%:
AAAAAAAAAAAAAAA
8. Synthvox2.analog.synth 20821 ▶️
9. Yamaha12str.2.Ballistique 43017 ▶️ 70%:
all
10. Yamaha12str.3.Ballistique 41277 ▶️ 72%:
Thanks for watching!
11. Yamaha12str.4.Ballistique 26032 ▶️
12. Yamaha12str.5.Ballistique 33992 ▶️
13. Yamaha12str.6.Ballistique 38204 ▶️
14. English.Horn.Welti.Tropez 5505 ▶️
15. Piccolo.Welti.Proteus 90024 ▶️ 93%:
inc A
16. Tambourine.Zapper.Liberty 130 other modules 16252 ▶️
17. sndtrk3.snd.SoundWave 63521 ▶️ 64%:
Pie
18. +=====================+
19. | T A R K A ' S |
20. | A N T H E M |
21. |+-------------------+|
22. ||by Liam the lemming||
23. ||---[ProcessFive]---||
24. ||-[Kosmic] [Twain]-||
25. |+-------------------+|
26. |Now press Shift-F9 ;)|
27. +=====================+
28. Samples by:
29. Chris Gould (SoundWave)
30. Alexander Brandon (Siren)
31. Jon Ransome (Ballistique)
32. Wilfred Welti
33. Marc Girard (The Zapper)

Instruments

  1. String
  2. Woddblock with reverb
  3. Bass drum
  4. Plik
  5. Bass string
  6. Hihat
  7. Sweet Oboe
  8. Yamaha 12 string acoustic
  9. English Horn
  10. Piccolo Peace
  11. Tambourine
  12. Synth 5th thingy :>
  13. Synthvox

Similar sample set

Created by Fred / The Gang | @modsamplemaster