| # |
Name |
Used in |
Size |
| 1. |
Bass drum |
|
3000 |
▶️
|
|
| 2. |
Snare drum |
|
5000 |
▶️
|
|
| 3. |
Side stick |
|
2000 |
▶️
|
|
| 4. |
Crash cymbal |
|
15000 |
▶️
|
|
| 5. |
Ride cymbal |
|
12000 |
▶️
|
|
| 6. |
Maracas |
|
1500 |
▶️
|
|
| 7. |
Fretless bass |
|
13000 |
▶️
|
|
| 8. |
Jazz guitar (m7) |
|
3000 |
▶️
|
|
| 9. |
Jazz guitar (maj7) |
|
3000 |
▶️
|
|
| 10. |
Jazz guitar (11) |
|
3000 |
▶️
|
|
| 11. |
Muted trumpet |
|
18000 |
▶️
|
|
| 12. |
|
|
|
|
|
| 13. |
Composed by Rondo for the |
|
|
|
|
| 14. |
oldskool music compo at |
|
|
|
|
| 15. |
Assembly 2003. |
|
|
|
|
| 16. |
|
|
|
|
|
| 17. |
Is it August already? |
|
|
|
|
| 18. |
Time to dig the ol' |
|
|
|
|
| 19. |
Impulse Tracker out of |
|
|
|
|
| 20. |
the mothballs, I guess... |
|
|
|
|
| 21. |
|
|
|
|
|
| 22. |
How lucky for me that |
|
|
|
|
| 23. |
there happened to be a |
|
|
|
|
| 24. |
jazz festival in my home |
|
|
|
|
| 25. |
town a week before Asm, |
|
|
|
|
| 26. |
for me that seems to be |
|
|
|
|
| 27. |
a surefire way to get an |
|
|
|
|
| 28. |
inspiration. What's not |
|
|
|
|
| 29. |
so fortunate is that the |
|
|
|
|
| 30. |
fruits born by that kind |
|
|
|
|
| 31. |
of inspiration tend to be |
|
|
|
|
| 32. |
more or less pure jazz, |
|
|
|
|
| 33. |
which in turn seems to be |
|
|
|
|
| 34. |
a surefire way to kill |
|
|
|
|
| 35. |
your chances of achieving |
|
|
|
|
| 36. |
even modest success in |
|
|
|
|
| 37. |
your average major-party |
|
|
|
|
| 38. |
music compo. On the other |
|
|
|
|
| 39. |
hand, I did rank twelfth |
|
|
|
|
| 40. |
last year with a really |
|
|
|
|
| 41. |
weird acoustic guitar |
|
|
|
|
| 42. |
duet, so who knows, maybe |
|
|
|
|
| 43. |
this year will bring on |
|
|
|
|
| 44. |
another surprise. |
|
|
|
|
| 45. |
|
|
|
|
|
| 46. |
God, I hate working with |
|
|
|
|
| 47. |
8-bit samples! The |
|
|
|
|
| 48. |
trumpet ended up sounding |
|
|
|
|
| 49. |
more like a bad saxophone |
|
|
|
|
| 50. |
most of the time. Maybe I |
|
|
|
|
| 51. |
should've learned to use |
|
|
|
|
| 52. |
Fast Tracker so I could |
|
|
|
|
| 53. |
have made an XM instead |
|
|
|
|
| 54. |
of an S3M, but it's too |
|
|
|
|
| 55. |
late for that now. |
|
|
|
|
| 56. |
Besides, I'm already |
|
|
|
|
| 57. |
having trouble trying to |
|
|
|
|
| 58. |
squeeze this thing down |
|
|
|
|
| 59. |
to 96K, so I'm not sure |
|
|
|
|
| 60. |
how much good 16-bit |
|
|
|
|
| 61. |
samples and instrument |
|
|
|
|
| 62. |
support would do. I could |
|
|
|
|
| 63. |
have saved some space in |
|
|
|
|
| 64. |
pattern data by not |
|
|
|
|
| 65. |
wasting all those loose- |
|
|
|
|
| 66. |
end rows with the C00 |
|
|
|
|
| 67. |
commands, but I really |
|
|
|
|
| 68. |
don't want to give up the |
|
|
|
|
| 69. |
luxury of variable-length |
|
|
|
|
| 70. |
patterns if I can at |
|
|
|
|
| 71. |
least simulate them. |
|
|
|
|
| 72. |
|
|
|
|
|
| 73. |
This must be the longest |
|
|
|
|
| 74. |
song info I've ever |
|
|
|
|
| 75. |
written entirely into the |
|
|
|
|
| 76. |
sample list. Does anybody |
|
|
|
|
| 77. |
ever even read these? |
|
|
|
|
| 78. |
Well, if you were patient |
|
|
|
|
| 79. |
enough to go through all |
|
|
|
|
| 80. |
that junk, you might want |
|
|
|
|
| 81. |
to drop me a line or two, |
|
|
|
|
| 82. |
so here's my address: |
|
|
|
|
| 83. |
ltuovine@tols17.oulu.fi |
|
|
|
|
| 84. |
|
|
|
|
|
| 85. |
The title, by the way, is |
|
|
|
|
| 86. |
due to a Sting song |
|
|
|
|
| 87. |
titled Consider Me Gone, |
|
|
|
|
| 88. |
which influenced this one |
|
|
|
|
| 89. |
rather heavily. Up until |
|
|
|
|
| 90. |
that freaky hard bop |
|
|
|
|
| 91. |
sequence anyway... |
|
|
|
|
