# |
Name |
Used in |
Size |
1. |
Out on Bail By Bedlamite |
24 other modules
|
28962 |
▶️
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2. |
3rd and last song of the |
3 other modules
|
13114 |
▶️
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3. |
Bedlam trilogy. (7/94) |
14 other modules
|
12288 |
▶️
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4. |
No name |
16 other modules
|
7712 |
▶️
|
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5. |
Wrapping up the Trilogy |
127 other modules
|
7520 |
▶️
|
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6. |
with some heavy tremors and |
741 other modules
|
30208 |
▶️
|
79%:
3000
|
7. |
Flange. Loud = OH YEAH!!! |
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8. |
Your bass capabilities must |
2590 other modules
|
41224 |
▶️
|
|
9. |
be high. |
2 other modules
|
7041 |
▶️
|
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10. |
No name |
|
26610 |
▶️
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11. |
Future releases shall be |
3 other modules
|
17976 |
▶️
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12. |
quite interesting, with |
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13. |
many new(ie my own) samples |
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14. |
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15. |
CC ->jimm@henson.cc.wwu.edu |
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16. |
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17. |
Again, for maximum |
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18. |
performance, play this and |
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19. |
the other 2 songs with |
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20. |
ST3.01 or MDP. |
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21. |
All 3 of these songs should |
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22. |
be together in a music disk |
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23. |
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24. |
Many thanks to Future Crew |
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25. |
For the great Tracker and |
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26. |
Player. Way to go Sami :) |
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27. |
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28. |
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29. |
RESOLUTION 3 of 3 |
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30. |
"The silvery thing spun on |
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31. |
on a steel rod planted in |
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32. |
the bear's skull. |
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33. |
Susannah's bullet struck |
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34. |
it dead center and the |
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35. |
radar-dish blew into a |
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36. |
hundred glittering |
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37. |
fragments. The pole |
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38. |
itself was suddenly |
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39. |
engulfed in a burst of |
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40. |
crackling blue fire which |
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41. |
reached out in a net and |
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42. |
seemed to grasp the sides |
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43. |
of the bear's face for a |
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44. |
moment." |
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45. |
"A spasm convulsed it, |
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46. |
bowed its back. Its front |
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47. |
claws rose and gored madly |
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48. |
at its own face. Worm- |
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49. |
infested blood flew and |
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50. |
splattered. Then it fell |
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51. |
over, making the ground |
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52. |
tremble with its fall, and |
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53. |
lay still. After all its |
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54. |
strange centuries, the |
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55. |
bear the Old People had |
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56. |
called Mir--the world |
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57. |
beneath the world--was |
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58. |
dead." |
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59. |
Steven King |
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60. |
The Waste Lands |
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61. |
The Dark Tower III |
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