# |
Name |
Used in |
Size |
1. |
FM------------------------- |
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2. |
gtr |
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3. |
pno |
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4. |
clrnt |
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5. |
oboe |
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6. |
trmpt |
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7. |
organ |
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8. |
horn |
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9. |
harpsichord |
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10. |
vibe |
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11. |
s-bass |
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12. |
a-bass |
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13. |
e-gtr |
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14. |
Sampled FM----------------- |
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15. |
bd |
|
2088 |
▶️
|
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16. |
sn |
|
4792 |
▶️
|
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17. |
hh |
|
4710 |
▶️
|
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18. |
cymbal |
|
33650 |
▶️
|
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19. |
PSG------------------------ |
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20. |
square |
|
128 |
▶️
|
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21. |
square lower |
|
1024 |
▶️
|
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22. |
square low |
|
256 |
▶️
|
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23. |
square high |
|
64 |
▶️
|
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24. |
6.25 periodic noise |
|
512 |
▶️
|
|
25. |
pseudorandom noise low |
|
66904 |
▶️
|
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26. |
pseudorandom noise high |
|
16726 |
▶️
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27. |
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28. |
Track structure modeled |
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29. |
based on NTSC-J Master |
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30. |
System models, which have |
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31. |
an OPLL FM chip in addition |
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32. |
to a PSG chip, and can use |
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33. |
both simultaneously. |
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34. |
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35. |
Though an earlier model, |
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36. |
Mark III, had a separate FM |
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37. |
add-on, it cannot be used |
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38. |
simultaneously with PSG. |
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39. |
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40. |
PSG tones had to be |
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41. |
multisampled, making sure |
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42. |
that they never play at a |
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43. |
rate below 44100Hz, while |
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44. |
also making sure it fits |
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45. |
within ST3's frequency |
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46. |
limits. |
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47. |
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48. |
Pos 0 - FM+PSG |
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49. |
Pos 32 hex 20 - FM only |
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50. |
Pos 60 hex 3C - PSG only |
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51. |
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52. |
Recommended playback |
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53. |
settings: At least 44100Hz |
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54. |
mono. |
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