| # |
Name |
Used in |
Size |
| 1. |
French Horn |
18 other modules
|
7651 |
▶️
|
|
| 2. |
Strings |
22 other modules
|
16720 |
▶️
|
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| 3. |
Strings 2 |
5 other modules
|
18437 |
▶️
|
76%:
Thank you!
|
| 4. |
[GUS Patches] Trombone |
3 other modules
|
6648 |
▶️
|
|
| 5. |
Desert Cello |
10 other modules
|
16586 |
▶️
|
|
| 6. |
Bass Piano [TOP-GUN.S3M] |
9 other modules
|
11027 |
▶️
|
|
| 7. |
[FF7] Clarinet |
|
4721 |
▶️
|
|
| 8. |
Flute |
1 other modules
|
12806 |
▶️
|
|
| 9. |
[Concertmate] Timpani |
2 other modules
|
67629 |
▶️
|
|
| 10. |
Snare |
9 other modules
|
32866 |
▶️
|
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| 11. |
Crash Cymbal 2 |
7 other modules
|
31038 |
▶️
|
|
| 12. |
Clean Hihat |
12 other modules
|
8688 |
▶️
|
|
| 13. |
Hard Hihat |
5 other modules
|
5663 |
▶️
|
|
| 14. |
Piano |
5 other modules
|
29746 |
▶️
|
|
| 15. |
Horn |
|
9772 |
▶️
|
|
| 16. |
Strings 3 |
|
20048 |
▶️
|
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| 17. |
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| 18. |
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| 19. |
LAMIA |
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| 20. |
------------------------- |
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| 21. |
By Eiyofuryo |
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| 22. |
------------------------- |
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| 23. |
Time - 3:58 |
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| 24. |
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| 25. |
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| 26. |
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| 27. |
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| 28. |
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| 29. |
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| 30. |
The story behind this is |
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| 31. |
as follows. After gaining |
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| 32. |
much praise from my music |
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| 33. |
teacher and fellow band |
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| 34. |
members (who are urging |
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| 35. |
me to compose an original |
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| 36. |
piece to be played by the |
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| 37. |
wind ensemble), it came |
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| 38. |
to my attention that my |
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| 39. |
German teacher was asking |
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| 40. |
students if they could |
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| 41. |
provide some background |
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| 42. |
music for the spring play |
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| 43. |
in April. My big chance! |
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| 44. |
After class, I mentioned |
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| 45. |
that I might be able to |
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| 46. |
compose something for her |
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| 47. |
but first I needed to |
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| 48. |
know what the play was |
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| 49. |
about. Exploitation and |
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| 50. |
deceit, I found out. So, |
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| 51. |
next class period I sat |
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| 52. |
down and started fiddling |
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| 53. |
with some melodies. This, |
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| 54. |
Lamia, is the result. I |
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| 55. |
have spent more time |
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| 56. |
working on this song than |
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| 57. |
probably any other to |
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| 58. |
date. Well around 12 |
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| 59. |
hours of composing, |
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| 60. |
tweaking, and rewriting. |
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| 61. |
------------------------- |
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| 62. |
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| 63. |
------------------------- |
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| 64. |
'Lamia', by the way, is |
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| 65. |
Latin for 'vampire.' |
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| 66. |
------------------------- |
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| 67. |
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| 68. |
- - - - - - - - - - - - - |
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| 69. |
e-mail me please! |
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| 70. |
address on line 99 |
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| 71. |
- - - - - - - - - - - - - |
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| 72. |
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| 73. |
WHAT'S NEXT: |
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| 74. |
From Whence They Came |
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| 75. |
Visionary |
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| 76. |
Behemoth |
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| 77. |
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| 78. |
##Technology, Industry## |
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| 79. |
##has been scrapped ## |
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| 80. |
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| 81. |
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| 82. |
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| 83. |
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| 84. |
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| 85. |
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| 86. |
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| 87. |
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| 88. |
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| 89. |
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| 90. |
Der Gute Mensch |
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| 91. |
von Sezuan |
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| 92. |
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| 93. |
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| 94. |
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| 95. |
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| 96. |
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| 97. |
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| 98. |
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| 99. |
eiyofuryo@mindless.com |
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