| # |
Name |
Used in |
Size |
| 1. |
French Horn |
17 other modules
|
7651 |
▶️
|
|
| 2. |
Strings |
22 other modules
|
16720 |
▶️
|
|
| 3. |
Strings 2 |
5 other modules
|
18437 |
▶️
|
76%:
Thank you!
|
| 4. |
[GUS Patches] Trombone |
3 other modules
|
6648 |
▶️
|
|
| 5. |
Desert Cello |
10 other modules
|
16586 |
▶️
|
|
| 6. |
Bass Piano [TOP-GUN.S3M] |
9 other modules
|
11027 |
▶️
|
|
| 7. |
[FF7] Clarinet |
|
4721 |
▶️
|
|
| 8. |
Flute |
1 other modules
|
12806 |
▶️
|
|
| 9. |
[Concertmate] Timpani |
2 other modules
|
67629 |
▶️
|
|
| 10. |
Snare |
9 other modules
|
32866 |
▶️
|
|
| 11. |
Crash Cymbal 2 |
7 other modules
|
31038 |
▶️
|
|
| 12. |
Clean Hihat |
12 other modules
|
8688 |
▶️
|
|
| 13. |
Hard Hihat |
5 other modules
|
5663 |
▶️
|
|
| 14. |
Piano |
5 other modules
|
29746 |
▶️
|
|
| 15. |
Horn |
|
9772 |
▶️
|
|
| 16. |
Strings 3 |
|
20048 |
▶️
|
|
| 17. |
|
|
|
|
|
| 18. |
|
|
|
|
|
| 19. |
LAMIA |
|
|
|
|
| 20. |
------------------------- |
|
|
|
|
| 21. |
By Eiyofuryo |
|
|
|
|
| 22. |
------------------------- |
|
|
|
|
| 23. |
Time - 3:58 |
|
|
|
|
| 24. |
|
|
|
|
|
| 25. |
|
|
|
|
|
| 26. |
|
|
|
|
|
| 27. |
|
|
|
|
|
| 28. |
|
|
|
|
|
| 29. |
|
|
|
|
|
| 30. |
The story behind this is |
|
|
|
|
| 31. |
as follows. After gaining |
|
|
|
|
| 32. |
much praise from my music |
|
|
|
|
| 33. |
teacher and fellow band |
|
|
|
|
| 34. |
members (who are urging |
|
|
|
|
| 35. |
me to compose an original |
|
|
|
|
| 36. |
piece to be played by the |
|
|
|
|
| 37. |
wind ensemble), it came |
|
|
|
|
| 38. |
to my attention that my |
|
|
|
|
| 39. |
German teacher was asking |
|
|
|
|
| 40. |
students if they could |
|
|
|
|
| 41. |
provide some background |
|
|
|
|
| 42. |
music for the spring play |
|
|
|
|
| 43. |
in April. My big chance! |
|
|
|
|
| 44. |
After class, I mentioned |
|
|
|
|
| 45. |
that I might be able to |
|
|
|
|
| 46. |
compose something for her |
|
|
|
|
| 47. |
but first I needed to |
|
|
|
|
| 48. |
know what the play was |
|
|
|
|
| 49. |
about. Exploitation and |
|
|
|
|
| 50. |
deceit, I found out. So, |
|
|
|
|
| 51. |
next class period I sat |
|
|
|
|
| 52. |
down and started fiddling |
|
|
|
|
| 53. |
with some melodies. This, |
|
|
|
|
| 54. |
Lamia, is the result. I |
|
|
|
|
| 55. |
have spent more time |
|
|
|
|
| 56. |
working on this song than |
|
|
|
|
| 57. |
probably any other to |
|
|
|
|
| 58. |
date. Well around 12 |
|
|
|
|
| 59. |
hours of composing, |
|
|
|
|
| 60. |
tweaking, and rewriting. |
|
|
|
|
| 61. |
------------------------- |
|
|
|
|
| 62. |
|
|
|
|
|
| 63. |
------------------------- |
|
|
|
|
| 64. |
'Lamia', by the way, is |
|
|
|
|
| 65. |
Latin for 'vampire.' |
|
|
|
|
| 66. |
------------------------- |
|
|
|
|
| 67. |
|
|
|
|
|
| 68. |
- - - - - - - - - - - - - |
|
|
|
|
| 69. |
e-mail me please! |
|
|
|
|
| 70. |
address on line 99 |
|
|
|
|
| 71. |
- - - - - - - - - - - - - |
|
|
|
|
| 72. |
|
|
|
|
|
| 73. |
WHAT'S NEXT: |
|
|
|
|
| 74. |
From Whence They Came |
|
|
|
|
| 75. |
Visionary |
|
|
|
|
| 76. |
Behemoth |
|
|
|
|
| 77. |
|
|
|
|
|
| 78. |
##Technology, Industry## |
|
|
|
|
| 79. |
##has been scrapped ## |
|
|
|
|
| 80. |
|
|
|
|
|
| 81. |
|
|
|
|
|
| 82. |
|
|
|
|
|
| 83. |
|
|
|
|
|
| 84. |
|
|
|
|
|
| 85. |
|
|
|
|
|
| 86. |
|
|
|
|
|
| 87. |
|
|
|
|
|
| 88. |
|
|
|
|
|
| 89. |
|
|
|
|
|
| 90. |
Der Gute Mensch |
|
|
|
|
| 91. |
von Sezuan |
|
|
|
|
| 92. |
|
|
|
|
|
| 93. |
|
|
|
|
|
| 94. |
|
|
|
|
|
| 95. |
|
|
|
|
|
| 96. |
|
|
|
|
|
| 97. |
|
|
|
|
|
| 98. |
|
|
|
|
|
| 99. |
eiyofuryo@mindless.com |
|
|
|
|
