# |
Name |
ST name |
Used in |
Size |
1. |
Acoustic guitar |
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|
8383 |
▶️
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2. |
Wooden flute |
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2 other modules
|
16016 |
▶️
|
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3. |
Orchestra |
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|
9700 |
▶️
|
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4. |
Metal Guitar |
ST-86:guitar92 falsk |
183 other modules
|
20392 |
▶️
|
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5. |
Metal Guitar Stop (hard) |
ST-86:guitar93 |
88 other modules
|
1196 |
▶️
|
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6. |
Lead guitar |
|
|
22676 |
▶️
|
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7. |
Feedback Guitar |
|
|
61000 |
▶️
|
73%:
3
|
8. |
Heavy orchestra |
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39 other modules
|
28306 |
▶️
|
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9. |
Metal Guitar Stop (soft) |
ST-86:guitar95 |
47 other modules
|
1056 |
▶️
|
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10. |
Grand Piano |
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1 other modules
|
12838 |
▶️
|
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11. |
HallDrum Tromp |
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286 other modules
|
11526 |
▶️
|
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12. |
Kettle Drum |
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302 other modules
|
7751 |
▶️
|
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13. |
Breezy Wind |
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1 other modules
|
63902 |
▶️
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14. |
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15. |
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16. |
completed in april 1996 by |
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17. |
quantum porcupine / grey |
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18. |
(jshagam@nmsu.edu) because |
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19. |
i decided that i really |
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20. |
wanted to redo the first |
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21. |
.s3m i ever did, and this |
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22. |
time i wanted to do it |
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23. |
right :) |
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24. |
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25. |
greets go to: |
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26. |
nemesis - sorry i didn't |
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27. |
use any of the samples |
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28. |
you spent so long on |
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29. |
finding for me |
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30. |
snaz and jason-roo - |
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31. |
thanks for being so |
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32. |
cool when i first got |
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33. |
on FurryMUCK |
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34. |
members of all the groups |
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35. |
i'm in - uh, hi guys |
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36. |
MiG / Weird Magic - thank |
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37. |
you for always being |
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38. |
such a cool guy and a |
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39. |
great composer; you |
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40. |
wouldn't believe how |
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41. |
much I meditate to |
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42. |
"does it really matter" |
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43. |
IRC residents, especially |
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44. |
jak, skie, mistwolf, |
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45. |
spiritwolf, starrhawke, |
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46. |
spot, and timberwolf :) |
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47. |
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48. |
sample credits: |
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49. |
1, 2, 3 - unknown |
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50. |
4, 5, 6, 9, 10 - walkman |
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51. |
7 - edge |
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52. |
8, 11, 12 - ramsey |
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53. |
13 - me |
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54. |
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55. |
for the pure purpose of |
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56. |
elongating the sample text, |
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57. |
i would like to tell you |
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58. |
the following: |
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59. |
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60. |
listen at high bass. i mean |
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61. |
really high bass. bass with |
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62. |
mind-numbing proportions. |
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63. |
preferrably in the mid-100s |
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64. |
for the dB range. but don't |
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65. |
use Mod4Win's preamp 'coz |
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66. |
then you lose the treble. |
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67. |
so don't do that man, just |
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68. |
don't do it. also don't use |
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69. |
these lame-ass labtec LCS- |
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70. |
800s like what i have 'coz |
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71. |
those can't handle much |
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72. |
more than like 2dB in the |
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73. |
bass range. use a nice 900W |
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74. |
stereo system. while you're |
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75. |
at it, listen to it through |
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76. |
a PAS16 with all the bass- |
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77. |
boosting options turned on |
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78. |
and then project my cool |
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79. |
PAScilloscope onto a wall. |
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80. |
keep changing the display |
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81. |
method and other fun stuff |
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82. |
like that. if you don't |
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83. |
have a PAS16, then listen |
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84. |
to this while chatting on |
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85. |
IRC or FurryMUCK, possibly |
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86. |
with me and telling me how |
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87. |
utterly cool the way-too- |
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88. |
long ending is. you see, |
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89. |
i want to write music which |
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90. |
digs deep into the soul, |
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91. |
unearthing it from deep |
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92. |
underground. i can't do it |
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93. |
unless you give me advice |
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94. |
and so this is just a test, |
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95. |
and only a test. if this |
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96. |
had been a real touching |
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97. |
song, it would get a ***** |
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98. |
rating in DemoNews. great, |
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99. |
no more room. bugger. |
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