Return to Bethlehem
- Format:
- Digital Symphony
- Size:
- 38852 bytes
- BPM:
- 125
- Speed:
- 6
- Channels:
- 4
- Song Length:
- 15
- Samples:
- 63
- Patterns:
- 15
- Tracks:
- 1
- Track length:
- 24
- SHA1:
- 1d28de09fb5a28ae45edea9381d1a3cc154961a9
- MD5:
- 7cb69513ff32a2ba1bb6e97818d8945b
Comment
: : RETURN TO BETHLEHEM : : Arranged by Martin Bazley on 3/12/2009. Why, yes, it's another two-hour track (composing time, not running time) ruthlessly capitalising on the Christmas market. Managed to drag it out for a bit longer than last year - and using only WaveForm samples too - go team! Stats: 15 (&0F) positions, equivalent to 1 minute and 48.5 seconds of real-time music. 23 separate patterns and 5 samples, all contributing to an uncompressed 38 KB file. My email address is at martin.bazley@blueyonder.co.uk. Thanks for listening. Merry Christmas, everybody!
Instances
Source | Name | Folder |
---|---|---|
Modland | return_to_betlehem.dsym | Digital Symphony/Martin Bazley/ |
Links
Samples
# | Name | Used in | Size | ||
---|---|---|---|---|---|
1. | WF:M:DS:LGBlast | 1 other modules | 8192 | ▶️ | |
2. | WF:M:WibbleString | 8256 | ▶️ | ||
3. | WF:M:DS:C:FluteLo | 2048 | ▶️ | ||
4. | WF:M:DS:C:FluteHi | 1 other modules | 1024 | ▶️ | |
5. | WF:M:DS:LongBass | 1 other modules | 12416 | ▶️ | |
6. | This is a Digital | ||||
7. | Symphony format tune. | ||||
8. | Refer to the info text | ||||
9. | for information. | ||||
10. | |||||
11. | |||||
12. | |||||
13. | |||||
14. | |||||
15. | |||||
16. | |||||
17. | |||||
18. | |||||
19. | |||||
20. | |||||
21. | |||||
22. | |||||
23. | |||||
24. | |||||
25. | |||||
26. | |||||
27. | |||||
28. | |||||
29. | |||||
30. | |||||
31. | |||||
32. | |||||
33. | |||||
34. | |||||
35. | |||||
36. | |||||
37. | |||||
38. | |||||
39. | |||||
40. | |||||
41. | |||||
42. | |||||
43. | |||||
44. | |||||
45. | |||||
46. | |||||
47. | |||||
48. | |||||
49. | |||||
50. | |||||
51. | |||||
52. | |||||
53. | |||||
54. | |||||
55. | |||||
56. | |||||
57. | |||||
58. | |||||
59. | |||||
60. | |||||
61. | |||||
62. | |||||
63. |